Biblio
Switch On Art." New York Magazine (1971).
"The Future of Cultural Programming." Videography 11, no. 5 (1986).
"Deconstruction and Circumvention." Critical Inquiry 11, no. 1 (1984).
"Roland. MicroComposer MC-202: Owner's Manual.. Roland., 1983.
Roland. MicroComposer MC-202 Synthesizer.. Roland., 1983.
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Case for a Center for Independent Television.. New York, New York: Rockefeller Foundation Arts Program, 1979.
Independent Television-makers and Public Communications Policy. New York, NY: The Rockefeller Foundation, 1979.
"various." Occasional Papers, no. 2 (1989).
The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
various articles." Magnetoscope, no. 3 (1972).
"The Video Primer: Equipment, Production and Concepts. NY: Links Books, 1974.
The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).
"selected articles." FUSE: The Cultural Media and News Magazine 4, no. 4 (1980).
"Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004.. New York, NY: Whitney Museum of American Art, 2003.
Steina and Woody Vasulka: Machine Media. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.
Stay Tuned. NY: The New Museum, 1981.
Video Installation 1983." Afterimage 11, no. 9 (1983).
"Mythic Space: The Video Installations of Rita Myers." Afterimage 9, no. 6 (1982).
"Mary Lucier." Woman's Art Journal (1985).
"Video Installation 1983: November 5 - December 2." Afterimage Special Supplement (1983).
"Francesc Torres: The Tyranny of the Past." Afterimage 10, no. 15 (1982).
"Computalker Model CT-1 Speech Synthesizer. Sant Monica, CA: Computalker Consultants, 1976.
Conjunctions: The Video Installations of Lauren Ewing." Afterimage 11, no. 40545 (1983).
"FCC guidelines as of the First Order and Report of March 17, 1971, Docket 1842. Beavertown, OR: Tektronix., 1972.
Virtual Reality: The Revolutionary Technology of COmputer-Generated Artificial Worlds - and How It Promises to Transform Society. NY: Touchstone, 1991.
The Videomonster: The Immense and Fragile Hope of Popular Art." Domus (1975).
"The TV Aesthetic." Art and Artists 9, no. 8 (1974).
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