Biblio

Book
Carlos, Michael, and Tom Stewart. Fairlight CMI Page R- Real Time Composer Operator Manual. Los Angeles, CA: Fairlight Instruments, Inc., 1983.
Stewart, Tom, and Peter Farleigh. Fairlight Computer Musical Instrument General Interface Card Manual for the General Interface (MIDI/SMPTE) Card and Support Unit Revision 1.5. Sydney, Australia: Fairlight Instruments, Inc., 1986.
Fairlight Computer Video Instrument Operator Manual Revision 5. Sydney, Australia: Fairlight Instruments, undated.
Fairlight Computer Video Instrument Sales Literature. Sydney, Australia: Fairlight Instruments, undated.
Goetz, Sammlung, Ingvild Goetz, and Stephan Urbaschek. Fast Forward: Media Art. Ingvild Goetz, 2004.
Rhodes, Charles W.. FCC guidelines as of the First Order and Report of March 17, 1971, Docket 1842. Beavertown, OR: Tektronix., 1972.
Horsfield, Kate. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Edited by Kate Horsfield and Lucas Hilderbrand. PA: Temple University Press, 2006.
Fernseh GMBH Portable TV-Transmission Equipment KS9D. Darmstadt , Germany: Fernseh GMBH, 1965.
Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C. Darmstadt , Germany: Fernseh GMBH, 1962.
Fernseh GMBH Vidicon Portable TV Broadcast System (2 copies). Darmstadt , Germany: Fernseh GMBH, 1965.
Film and Electronic Media Program. Working Draft- Not for Reproduction.. Film and Electronic Media Program, undated.
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Reading, MA: Addison- Wesley Publishing Company, 1979.
Vogel, Amos. Film as a Subversive Art. ny: Random House, 1974.
Arnheim, Rudolf. Film as Art. Berkeley. Berkeley: University of California Press, 1957.
Perkins, V. F.. Film as Film: Understanding and Judging Movies. Harmondsworth, Middlesex, England: Penguin Books Limited, 1972.
Sitney, Adams P.. Film Culture Reader. NY: Praeger, 1970.
Eisenstein, Sergei. Film Form and The Film Sense: Essays in Film Theory, Edited by Jay Leyda. New York, NY: Meridian Books, 1957.
Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice, Edited by Alfred A. Knopf. New York, NY: Newbery Award Records, Inc., 1985.
Dworkin, Stephen. Film Is. Woodstock, NY: Overlook Press, 1975.
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
Pudovkin, V. I.. Film Technique. London, England: George Newnes, Limited, 1929.
Thomas, Sari. Film/Culture: Explorations of Cinema in its Social Context, Edited by Sari Thomas. Metuchen, NJ: The Scarecrow Press, 1982.
Fell, John L.. Film: An Introduction. New York, NY: Praeger Publishers, 1975.
Coynik, David. Film: Real to Reel. Evanston, IL: McDougal, Littell & Company, 1972.
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts - Analog Computers., undated.
Williams, Reese. Fire Over Water, Edited by Reese Williams. NY, NY: Tanam Press, 1986.
Haller, Robert. First Light, Edited by Robert Haller. NY, Ny: Anthology Film Archives, 1998.
John Fluke Mfg. Co., Inc.. Fluke Model 8300A Digital Voltmeter Instruction Manual. Seattle, WA: John Fluke Mfg. Co., Inc., 1970.
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
Althusser, Louis. For Marx. Translated by Ben Brewster.. Vintage Books, 1970.

Pages