Biblio

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I
James, Day. Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Television Establishment, The Independent Producer, and the Search for Diversity.. New York, New York: Rockefeller Foundation Arts Program, 1979.
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Fu. New York, New York: Rockefeller Foundation Arts Program, 1979.
Jacobs, Alan. Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy.. NY, NY: Rockefeller Foundation, 1979.
Erickson, Leann. "Independent film and video in Boston." Afterimage (1997).
Jenkins, Janet. In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.
Baudrillard, Jean. In the Shadow of the Silent Majorities . . . or The End of the Social. Translated by Paul Foss, Paul Patton, John Johnston.. Semiotext(e), 1983.
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Sandin, Dan, Jim Wiseman, and Phil Morton. In consecreation of New Space program notes., undated.
De Jong, Constance. "In Between the Dark and the Light Television/Society/Art: A Symposium)." Artforum 19, no. 5 (1981).
Imsai System Computer VIO Interface Board Rev. 1 Service Manual. San Leandro, CA: Imsai Mfg. Corp., 1977.
Ancona, Victor. "Improvisational Video." Videography 2, no. 12 (1977).
Frampton, Hollis. Imago Documentation and Hollis Frampton Software for Z80. Owego, NY: Experimental Television Center, 1983.
Sturken, Marita. "Imaging postmemory/renegotiating history." Afterimage (1999).
Marks, Laura U.. "Images Of Intermedia." Afterimage (2000).
Hallock, Don. Images of Artists Don Hallock, Bill Gwin, Bill Roarty and Stephen Beck. All worked at the National Center for Experiments in Television at KQED.., undated.
Hallock, Don. Images from the Work of Don Hallock with the Videola., undated.
"Images from the Work of Don Hallock." Sundance Magazine 1, no. 3 (1972).
Image/Process II. NY, NY: The Kitchen, 1983.
Image/Process I. NY, NY: The Kitchen, 1982.
Barthes, Roland. Image, Music, Text. Translated by Stephen Heath.. NY: Hill and Wang, 1972.
Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
Tamblyn, Christine. "Image Processing in Chicago Video Art, 1970-1980." Leonardo 24, no. 3 (1991): 303-310.
Image on the Run: Dutch Video Art of the 80's. Amsterdam: International Department of the Netherlands Office for Fine Arts, 1985.
of Art, The High Museum, and Robin Reidy. Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.
Benjamin, Walter. Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn.. NY: Schocken, 1976.
Hall, Doug, and Sally Jo Fifer. Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
Nichols, Bill. Ideology and the Image: Serial Representations in the Cinema and Other Media. Bloomington: Indiana University Press, 1981.
ID/entity: Portraits in the 21st Century. New York, NY: The Kitchen, 2002.
Jones, Philip Mallory. Icono Negro: The Black Aesthetic in Video Art. Long Beach, CA: Long Beach Museum of Art, 1989.
Icon Numerical Controls Motion Technology Group USM Corporation Sales Brochure. Cambridge, MA: Icon Corporation, undated.

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