Biblio
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Television Establishment, The Independent Producer, and the Search for Diversity.. New York, New York: Rockefeller Foundation Arts Program, 1979.
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Fu. New York, New York: Rockefeller Foundation Arts Program, 1979.
Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy.. NY, NY: Rockefeller Foundation, 1979.
Independent film and video in Boston." Afterimage (1997).
"In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.
In the Shadow of the Silent Majorities . . . or The End of the Social. Translated by Paul Foss, Paul Patton, John Johnston.. Semiotext(e), 1983.
In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
In consecreation of New Space program notes., undated.
In Between the Dark and the Light Television/Society/Art: A Symposium)." Artforum 19, no. 5 (1981).
"Imsai System Computer VIO Interface Board Rev. 1 Service Manual. San Leandro, CA: Imsai Mfg. Corp., 1977.
Improvisational Video." Videography 2, no. 12 (1977).
"Imago Documentation and Hollis Frampton Software for Z80. Owego, NY: Experimental Television Center, 1983.
Imaging postmemory/renegotiating history." Afterimage (1999).
"Images Of Intermedia." Afterimage (2000).
" "Images from the Work of Don Hallock." Sundance Magazine 1, no. 3 (1972).
Image/Process II. NY, NY: The Kitchen, 1983.
Image/Process I. NY, NY: The Kitchen, 1982.
Image, Music, Text. Translated by Stephen Heath.. NY: Hill and Wang, 1972.
Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
Image Processing in Chicago Video Art, 1970-1980." Leonardo 24, no. 3 (1991): 303-310.
"Image on the Run: Dutch Video Art of the 80's. Amsterdam: International Department of the Netherlands Office for Fine Arts, 1985.
Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.
Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn.. NY: Schocken, 1976.
Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
Ideology and the Image: Serial Representations in the Cinema and Other Media. Bloomington: Indiana University Press, 1981.
ID/entity: Portraits in the 21st Century. New York, NY: The Kitchen, 2002.
Icono Negro: The Black Aesthetic in Video Art. Long Beach, CA: Long Beach Museum of Art, 1989.
Icon Numerical Controls Motion Technology Group USM Corporation Sales Brochure. Cambridge, MA: Icon Corporation, undated.