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The Interactive Show Bibliography

Fred Bacher; Karen Collette and Bernd Ewert; Dana Hatchett; Eric Jensen; Katrin Jurati; Brent Scott; David Stieglitz; Jason Tenant; Peter Babula and Mindy Tousley; Alan Van Avery; Jamie Wilson; Jonathan Woolson;

The International Agency for Minority Artist Affairs - A Brief History Groups

IAMAA was founded in 1978 by Gregory Javan Mills and is a New York State nonprofit with 501(c)(3) status; it was designated the Harlem Art Council in 1996. The agency ran arts training programs in Harlem/Upper Manhattan, received MacArthur Foundation grants (1995–96) to create the Harlem Media Center, partnered with Manhattan Neighborhood Network from 1997 to teach public-access TV, and donated over 30 personal computer systems and over 10 video cameras to community groups and trainees.

1979 The International Video Art Symposium Chronology

Program of the International Video Art Symposium held at the Agnes Etherington Art Centre, Queen's University, Kingston, Ontario, March 5-7, 1979; the transcript assembles papers and texts by Wulf Herzogenrath (Video Artists and Television as a Medium), Ian Murray (Support Structures for Artists Working with Videotape), Susan Britton (Video Lunch) and Paul Wong (Making Video: Cable Access, Artists Cooperatives, Fees and Rights). It also includes contributions by David Hall, Maria Bicocchi, Kate Craig, Michael Goldberg, Clive Robertson and Jamie Davidovich, and reprints from Video as a Community or Political Tool, Vancouver Art Gallery.

1983 The Internet Activities Board Chronology

The Internet Activities Board (IAB) was created in 1983 to guide evolution of the TCP/IP protocol suite and to provide research advice; it comprises the Internet Engineering Task Force (IETF) for protocol evolution and standardization and the Internet Research Task Force (IRTF) for advanced networking research. A secretariat supports both bodies; the IETF meets three times a year and its working groups meet by electronic mail, electronic conferencing and face-to-face, while the IAB meets quarterly. RFC publication is handled by an RFC editor; IANA and an Internet Registry record and allocate network and autonomous system identifiers and maintain the DNS root.

The Issue of Video Art Bibliography

1970 The Jewish Museum Chronology

New York State Council on the Arts (NYSCA) funds The Jewish Museum, in conjunction with the Harlem Cultural Council, for a Black Fim Festival, tours nationally

The Kitchen Bibliography

The Kitchen Center for Video and Music was founded in 1971 by Woody and Steina Vasulka and relocated in 1973 from the Broadway Central Hotel kitchen to a Broome Street loft. Initially funded through Howard Wise and Electronic Arts Intermix, it became the non-profit Haleakala, Inc. under Robert Stearns and shifted from funding experiments to presenting electronic music and video works. It has shown tapes and performances by artists including Juan Downey, operates a video room for 1/2- and 3/4-inch tapes, publishes a monthly calendar and catalog, and is funded by the National Endowment for the Arts.

1975 The Kitchen Chronology

Performance at The Kitchen by Walter Wright.. 1/21-24/75. With Paik-Abe Video Synthesizer and support from Experimental Television Center.

1985 The Kitchen Chronology

The Kitchen "Retrospective from ETC: 1971-1985"

The Kitchen Bibliography

Profile and history

The Kitchen - Histories Groups

The Kitchen began in the unused kitchen of the Mercer Arts Center in Greenwich Village in July 1971 and opened June 15, 1971; Woody and Steina Vasulka established it for video and electronic arts, which soon embraced music, performance, dance and film. It relocated from 240 Mercer Street to 59 Wooster Street in late 1973 and incorporated as the not-for-profit Haleakala, Inc. in April 1974, later moving in 1985 to 512 West 19th Street. Support from Electronic Arts Intermix, Howard Wise and the New York State Council on the Arts provided grants, including $15,000 to Perception in 1971 and $8,000 directed to The Kitchen; the organization staged festivals and concert series and invested in production-grade video equipment and media services.

1975 The Kitchen "Hocking and The Vasulkas" Chronology

The Kitchen "Hocking and The Vasulkas". Exhibition of media installations, videotapes and photographs by Ralph Hocking, WOody and Steina Vasulka.

1980 The Kitchen Center Chronology

Developing a Critical Language for Video Image Processing, panel at The Kitchen Center; Barbara Buckner, participant.

1972 The Kitchen, June 29, 1972 Chronology

Nam June Paik and Charlotte Moorman perform live at The Kitchen, June 29, 1972. Technical assistance by Ralph Hocking, Experimental Television Center.

The Kitchen: Center for Video and Music 75-76 Bibliography

The Kitchen: Center for Video and Music 75-76. Library of Congress Catalogue No. 76-56972. Catalog includes Preface by Director, Robert Stearns, Introduction by Peter Frank. Other contents follow: Chronology 1975/76, Documentation and Appendix. Features several artists, namely Ralph Hocking, Sherry …

The Language of New Media Bibliography

the language of new media placed within the history of modern visual and media cultures.

The Language of the Self Bibliography

The Language of Video Bibliography

The Language of Video

The Living Room War Bibliography

The Look of Things Bibliography

The Low Budget Video Bible. Revised Second Edition Bibliography

Technical information on equipment operation, purchase; editing; lighting and new media opportunities

The Low Power Television Guidebook: A Primer on the Low Power Service Bibliography

Information relating to applications for low power tv licenses.

The Luminous Image Video Installation Bibliography

The Luminous Image. In Dutch and English Bibliography

David Ross "Truth or Consequences American Television and Video Art". Jean-Paul Trefois "From Video Art to Art".

1968 "The Machine as Seen at the End of the Mechanical Age" Chronology

"The Machine as Seen at the End of the Mechanical Age" exhibition at the Museum of Modern Art (MOMA). Director of exhibition Pontus HultÈn. Exhibition includes video art, particularly Nam June Paik's "Nixon Tapes," "McLuhan Caged" and "Lindsay Tape" on unique tape-loop device