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The Machinery of the Brain Bibliography
The Machinery of the Brain. Contents follow: Preface, The Electrical Properties of Nerves, The "Schematic Diagram" of the Nervous System, Peripheral Data Processing in the Nervous System, Automatic Control Circuits in the Nervous System, Permanently Wired-in Behavior Patterns of Lower Animals, Elect…
The Macro Proto Proposal Tools
Daniel Sandin's early draft grant proposal advocates developing educational machines and interfaces; he compares public-school capitalization ($10 per participant) with modern communication-company capitalization ($20,000 per worker) and argues for economic efficiency through appropriate technology. He discusses transfer of course content to machines and the loss of incidental learning, the advent and uses of generalized machines including pencils, television and general-purpose digital computers, and the necessity of teaching generalized-machine use. He emphasizes perceptual learning, cites Rudolf Arnheim and the Bauhaus Institute of Design, and stresses man-machine feedback control and perceptually rich input-output interfaces.
The magnetic era : video art in the Netherlands : 1970-1985 Bibliography
Includes a glossary. The evolution of video in the Netherlands between 1970 and 1985. While discussing the theoretical issues raised by the video practices that emerged over these two decades, the contributing authors report on the development of institutions devoted to producing and distributing vi…
The Making of the Irish Tapes Bibliography
1983 The Media Arts In Transition Chronology
The Media Arts In Transition was a conference organized and cosponsored by Walker Art Center in association with National Alliance of Media Arts Centers, Minneapolis College of Art and Design and University Community Video and Film in the Cities, held June 8-11, 1983. The programming committee consisted of Melinda Ward, Jennifer Lawson and John Minkowsky; its purpose was to focus on the contemporary technological, social, economic and aesthetic forces shaping the future of the media arts. Texts for the conference were contributed by Ron Green, Brian O'Doherty, Virgil Grillo, Gene Youngblood, Howard Wise, Jonas Mekas, Stan Brakhage, Nam June Paik, Shirley Clarke, Ed Emshwiller, Tony Conrad, Alvey Ray Smith, Frank Hodsoll, B. Ruby Rich, Renee Tajima, Barbara London, John Giancola, Jon Alpert, George Stoney, Bill Viola and Robert Haller.
The Media Arts in Transition Bibliography
Includes Bill Viola "Sonic Recommendations on Establishing Standards for the Exhibition and Distribution of Video Works."
The Media Arts In Transition Bibliography
Texts by Ron Green, Brian O'Doherty, VIrgil Grillo, Gene Youngblood, Howard Wise, Jonas Mekas, Stan Brakhage, Nam June Paik, Shirley Clarke, Ed Emshwiller, Tony Conrad, Alvey Ray Smith, Frank Hodsoll, B. Ruby RIch, Renee Tajima, Barbara London, John Giancola, Jon Alpert, George Stoney, Bill Viola an…
1971 The Media Equipment Pool Chronology
The Media Equipment Pool was funded by the NYSCA to the Rochester Museum and Science Center to establish a pool of equipment to be used by local artists and community organizations. Bonnie Klein, Coordinator of Media Equipment Pool.
The Media Lab: Inventing the Future at MIT Bibliography
The convergence of communications technologies and the efforts to make mass media individualized media
The Media World of Takahiko Iimura II Bibliography
The Wedia World of Takahiko Iimura II. Contents follow: I am not Taka Iimura by Carl Eugen Loeffler, (I)/You, DOUBLE DA, MA (and Taka Iimura) by Peter d'Agostino, From Exhibition I [Photo Document], SKY & GROUND, Video: Takahiko Iimura, Poem: Miyuki Ashida, A.I.U.E.O.NN SIX FEATURES, Video: Takahiko…
1969 "The Medium is the Medium" Chronology
The Medium is the Medium was a thirty-minute WGBH-TV program produced by Fred Barzyk, Anne Gresser and Pat Marx; it presented works by Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock and Aldo Tambellini. The program is described as the first presentation of works by independent video artists aired on television; it was broadcast by WGBH TV in Boston on March 23, 1969.
1977 The MERC Directory Chronology
Publication of The MERC Directory: A Listing of Independently Produced Film and Video Work Available for Distribution by Young Filmakers/Video Arts
The MERC Directory: A Listing of Independently Produced Film and Video Work Available for Distribution Bibliography
Film and Videotape catalog
The Metasoftware of Video Bibliography
The Mind Managers Bibliography
The Mind's Eye and the Human Eye Bibliography
The Mindset Computer Animation System; Mindset Lumena graphics software Bibliography
The Mindset Computer Animation System; Mindset Lumena graphics software. Includes article reprint from Popular Computing. Pricelist, and system description.
The Mirror of Production Bibliography
The Model, Rien Nier II, Buena Vista, and Abstracts Bibliography
The Model, Rien Nier II, Buena Vista, and Abstracts. Produced by Paul Armand GETTE, Philippe GUERRIER, Theirry KUNTZEL and Philippe OUDARD during their stay at the University of California, Berkeley, in conjunction with the exhibition Video About Video held at the A-Hole Gallery, from Monday through…
The Movement Within: Images Created on a Video Synthesizer Bibliography
Work by Barbara Sykes and Stuart Pettigrew on a Sandin Image Processor
The Movement Within: Images Created on a Video Synthesizer Bibliography
1967 The Movie Bus Chronology
The Movie Bus, organized by Rodger Larson. Funded by the New York State Council on the Arts (NYSCA) to tour New York City boroughs, screening Film Club productions.
The Moving Art of Video Graphics- or How to Drive a Spectre Bibliography
Photocopy of article by EMS staff personnel. Illustrated with photographs, diagrams, and screen shots.
The Moving Image Bibliography
Special issue. Brian Winston; Roger Shattuck; Jonathan Miller; Umberto Eco.
1978 The Moving Image Statewide Chronology
The Moving Image Statewide was programmed by John Minkowsky of Media Study/Buffalo and distributed as a traveling exhibition by Media Study/Buffalo; it was sponsored by the University Wide Committee on the Arts. The program included 13 tapes by Peter Campus, William Wegman, Bill Viola, Cara DeVito, Andy Mann, Joan Jonas, and Woody and Steina Vasulka.