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The Production of Public Television issue Bibliography
The Production of Public Television issue Bibliography
The Programmer's Genitals Bibliography
The Question Concerning Technology and Other Essays Bibliography
The Rise of the Televisualists in The New Television: A Public/Private Art Bibliography
Based on "Open Circuits: An International Conference on the Future of Television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady and Willard Van Dyke for the Museum of Modern Art. Categories include the aesthetics of television; support structure; the international setting; politics, philos…
The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet Bibliography
a collection of different perspectives on tele- robotics, as both a technological and a cultural issue
1980 The Rockefeller Foundation Chronology
The Rockefeller Foundation establishes a new category to support independent videomakers.
The Role of Technology in the Art of Nam June Paik: Paik's Video Sculpture Tools
Nam June Paik advocated humanizing television by treating the set as an artistic and educational medium and by promoting television as a vehicle for aesthetic and philosophical expression; he physically altered television exteriors and inner circuitry to disrupt rasters and broadcast signals and created distorted images, videotape loops (notably a twisted Richard Nixon face, 1967) and television sculptures such as Zen for TV (1963). He exhibited techniques in a 1963 electronic art exhibition and premiered his first videotape in 1965; installations and prepared sets were shown at venues including Galerie Parnass and Wuppertal, where audiences could manipulate microphones and signal generators. Critics and publications cited include John Margolies (Art in America, 1969), Gene Youngblood (Expanded Cinema, 1970) and Radical Software (1970).
The Role of Technology in the Art of Nam June Paik: Paik's Videotapes Tools
Nam June Paik, an early pioneer of video art, experimented with television from 1959 and purchased the first Sony portable video recorder available in the United States in October 1965 with a John D. Rockefeller III grant. Collaborating with Shuya Abe, he built the Paik/Abe video synthesizer at WGBH and the Experimental Television Center to enable real-time color and image manipulation; WGBH broadcast his four-hour Video Commune in 1970, and Paik published technical diagrams and assisted in creating consoles for WNET, the California Institute of the Arts and the Experimental Television Center.
The Role of Technology in the Art of Nam June Paik: The Social Implications of Television Bibliography
Nam June Paik made television the central medium of his art; early works include Participation TV (1965), exhibited at the New School for Social Research and Galeria Bonino and later at the Howard Wise Gallery, New York (1969), and Magnet TV (1965), developed at the New School to distort broadcast images with a large magnet. He developed a Video Synthesizer with Shuya Abe (1969–70) to manipulate video and immersed himself in electronics and engineering, citing Norbert Wiener and the electronic music studio. As a Fluxus artist he and Wolf Vostell staged destructive performances from 1959, and Vostell showed smashed television sets at the Smolin Gallery in 1963.
The Roots of the Moment: Pauline Oliveros Bibliography
The Roots of the Moment: Pauline Oliveros. Sections follow: Dedication: To sounds that heal, Preface by Pauline Oliveros, Monterrey November 1995, Introduction by Jackson Mac Low, Acknowledgements, The Roots of the Moment (1986-95), Acoustic and Virtual Space as a Dynamic Element of Music (1994), A …
The Sackbut Blues: Hugh Le Caine Pioneer in Electronic Music Bibliography
The Sackbut Blues: Hugh Le Caine Pioneering in Electronic Music. Chapters found under Contents: Foreword, Preface, Introduction, Growing Up in Part Arthur, Physics at Queen's University, Radar at the National Research Council, Atomic Physics and the First Synthesizer, Birmingham University and the S…
The School Market Bibliography
The School of Experimental Viewing from Edison Black Maria Film and Video Festival Bibliography
A SUNY Binghamton graduate and programmer active since 1971 reports that the Black Maria Film and Video Festival tours experimental films and video art to remote locales, including Central/Western New York. He notes a Central New York Programmers Group and cites regional centers such as Owego Experimental TV Center, Portable Channel (Rochester), Ithaca Video Project and Media Study/Buffalo. He credits SUNY Binghamton—recently turned twenty—faculty including Ken Jacobs and alumni with shaping programming and pedagogy, and names works such as Tom Tom the Piper's Son and other historical and contemporary experimental films.
1986 The School of the Art Institute of Chicago Chronology
Video on the Air (Department of Video, School of the Art Institute of Chicago; 1986) is a series of visiting artists, producers and curators held in conjunction with the Graduate Video Seminar taught by Beth Berolzheimer. Participants included Lois Bianchi (WNET); Rii Kanzaki (video artist; electronic image processing); Doug Hall (video artist; recent work Storm and Stress links the spectacle of nature with that of technology); Kathy Huffman (curator/producer, CAT Fund, Boston); and Juan Downey (whose videotape series The Thinking Eye investigates Western Art History and culture through autobiography and montage).
The Search for a Personal Vision in Broadcast Television Bibliography
The Search for a Personal Vision in Broadcast Television. Table of Contents holds: Preface, I support Barzyk NEA Project 100-130% by Nam June Paik, Without Fear of Failure by Curtis L Carter of the Haggerty Museum of Art, Barzyk: Electronic Visionary by Brain O' Doherty, Fread Barzyk, PBS' Golden Ag…
1987 The Second Emerging Expression Biennial Chronology
The Second Emerging Expression Biennial: The Artist and the Computer at Bronx Museum. Curators: Patric Prince, Shalom Gorewitz. Catalog introduction by Luis Cancel; texts by Patric Prince and Shalom Gorewitz
The Second Emerging Expression Biennial: The Artist and the Computer Bibliography
The Second Emerging Expression Biennial: The Artist and the Computer Introduction by Luis Cancel; texts by Patric Prince and Shalom Gorewitz Institution/Organizer: Bronx Museum Site: Bronx Museum Curator(s): Prince,Patric Gorweitz,Shalom Exhibition Dates: 9/17/87-1/24/88
The Seventh Ithaca Video Festival Bibliography
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400 Bibliography
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400. Cover: In full color, the new recorder by Singer shines through an eyehole of this black-mask cover. Inside headings: Why this format?, Applications, Specifications, Features, and VTR, CCT…
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100 Bibliography
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100. Page 1 explains design. Pages 2-3 cover product description. Pages 4-5, Specifications and General Features. Page 6, contact information. Page 7, B&W photograph (low resolution).
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written) Bibliography
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written). Page 1, General Specifications. Page 3, Mechanical. Page 4, Electrical.
The Singer Company. Singer Education & Training Products. MP-100 Studio Console Bibliography
The Singer Company. Singer Education & Training Products. MP-100 Studio Console. A new concept in Television Production: The Singer MP-100 provides complete broadcast quality switching-fading, special effects generation, audio mixing, gen-lock, processing and waveform monitoring. Front: B&W photogra…
The Sixth International Video Exchange Directory Bibliography
The Social Production of Art Bibliography