Video History Project
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Bibliography

2,988 records

  1. New Technologies Sensible Art for an Aesthetics of Communication Bibliography

    New Technologies Sensible Art for an Aesthetics of Communication. Exhibition Dates: October 1985

  2. New Tools for Preservation: Assessing Long-Term Environmental Effects on Library and Archives Collections Bibliography

  3. New Video:Japan Bibliography

  4. New Wave on the Airwaves Bibliography

  5. New Work in Abstract Video Imagery Bibliography

    New Work in Abstract Video Imagery is an anthology of videotapes produced 1973–1977 and organized for the Everson Museum of Art, Syracuse in 1977; it documents experiments with television, magnets, videosynthesizers, lasers and computers and includes works by Nam June Paik (magnet experiments; Paik/Abe videosynthesizer), Shuya Abe, Aldo Tambellini (Black Spiral, 1968), Peter Van Riper, Mary Lucier (Fire Writing), John Cage (Suite 212), Ron Hays and many Chicago-based practitioners. Production centers cited include the New Television Laboratory at WGBH, the Sandin Image Processor at the Art Institute of Chicago, the Experimental Television Center (Binghamton) and Bell Labs; the New York State Council on the Arts provided support. The exhibition was organized by Richard Simmons as an artists' cooperative with revenues divided equally among participants.

  6. New York Foundation for the Arts Bibliography

    New York Foundation for the Arts. The brochure includes the following sections: Introduction, The Ecology of the Arts, Artists in Residence... in Schools and Communities, Artists' Fellowships, Artists' New Works: Services in Project Development, Production, and Distribution, Revolving Loans, and Inf…

  7. New York Foundation for the Arts. 1988 Artists' Fellowships Bibliography

    New York Foundation for the Arts. 1988 Artists' Fellowships. Inside cover: The New York Foundation for the Arts: Who We Are. Contents: Introduction, Architecture, Choreography, Crafts, Fiction, Film, Music Composition, Painting, Performance Art/ Emergent Forms, Photography, Playwriting/ Screenwritin…

  8. New York Media Group Spins Its Reels in Rochester Bibliography

    Report on the New York Media Alliance annual meeting held May 6–7, 1983 at the Visual Studies Workshop in Rochester; members debated finances, fundraising models, a proposed newsletter versus low-tech mimeographed notices, and adopted a plan to hold five meetings on production, distribution, exhibition, education, and preservation. Tensions between organizations and independent producers surfaced, with contributions from Gerald O'Grady, Skip Blumberg, Margot Lewitin, Julie Harrison, Tony Conrad, Emily Armstrong, Matthew Geller, John Giancola (NYSCA) and Ralph Hocking (Experimental Television Center). The Alliance had a $21,000 1983 operating budget with $10,000 spent; NYSCA granted $20,000 in 1982–83 ($10,000 outright, $10,000 matched), the group raised $5,500, and director Robin White had funding for roughly six more months.

  9. New York State Artist Workspace Consortium Bibliography

    Funding for the Consortium was provided by the New York State Council on the Arts, the Andy Warhol Foundation and the National Endowment for the Arts. The work of the Consortium began with the visionary notion of one individual, Elizabeth Marena the Director of the Visual Arts Program at NYSCA. The …

  10. New York State Council on the Arts Annual Report 1969-70 Groups

    The report documents NYSCA-supported film and media activities including a Young Filmmakers Albany South End workshop sponsored by Upper Hudson Library Federation, Aldo Tambellini working with elementary students at a television studio, and high school students screening films in Yorktown. It records Elaine Summers’ Electric Kinetic Gymnasium at C.W. Post College on Long Island planned to use twenty-four projectors. The Young Filmmakers Foundation and the Film Club on Rivington Street were chosen for pilot financial assistance; the report includes quotations from Howard Taubman and W. McNeil Lowry.

  11. New York State Council on the Arts Annual Report 1969-70: A summary of Council activities 1960-69 Groups

    Excerpt from the New York State Council on the Arts Annual Report 1969–1970 summarizing Council activities 1960–69; documents the Council's creation in 1960–61 with an initial $50,000 study grant and lists annual state appropriations and National Council on the Arts grants through 1968–69. Describes statewide surveys and local meetings, the initiation and expansion of Touring, Traveling Exhibitions, Technical Assistance, Special Projects, Film, Museum Aid, Ghetto Arts and Festival programs, and the establishment of American Dance Theatre and the Young Artists Program; notes collaborations with SUNY, museums, schools, and other cultural institutions and specific grants, publications, exhibitions, tours, and residencies.

  12. New York State Council on the Arts Annual Report 1969-70: Staff, Programs and Financial Report Groups

    The New York State Council on the Arts annual report 1969–70 lists programs in performing arts, film and visual arts and documents the agency's creation in 1960 with a $50,000 study grant and its establishment as a permanent State agency the following year with a $450,000 operating budget. The report names Council and past members and staff, including Executive Director John B. Hightower and program directors. It records that State funds and a National Endowment for the Arts grant raised the budget to $1,554,477 in 1966–67 and provides a financial statement of receipts and disbursements for the three-year period ended March 31, 1970, with tabulated funds received and program expenditures for 1967–70.

  13. New York State Council on the Arts Annual Report 1970-71 Groups

    Annual report of the New York State Council on the Arts for 1970–71 includes Seymour H. Knox's chairman's statement and Eric Larrabee's administrator's report; it records a $20.2 million legislative appropriation with $18 million allocated to Aid to Cultural Organizations (nearly 600 applicants) and $2.2 million for Council administration, with $2.3 of the $18 million designated for the New York Public Library research facilities. The report documents more than 2,000 free or low-priced performances, 384 new productions, 3,057 weeks of arts workshops and about 100 exhibitions; it notes initiatives in educational television, multimedia, literature, community visual-arts projects and regional equipment pools and lists Council members, staff and a financial statement.

  14. New York State Council on the Arts Annual Report 1970-71 Groups

    Derived from the New York State Council on the Arts Annual Report 1970-71; includes a link to the full report. Photographs by Peter Moore, Tobe J. Carey, Bernard Gotfryd and Carole Crawford accompany descriptive captions and quotations; Eric Salzman’s Feedback was produced at Syracuse University and taped by the Educational Television Council of Central New York and is described by Harwood Simmons in the Syracuse Post-Standard. Albert Maysles is shown with his brother in New York City and noted as a participant in the Film Bureau’s speaker program with a quotation from Production Notes for Salesman.

  15. New York State Council on the Arts Annual Report 1971-72 Groups

    From the New York State Council on the Arts annual report 1971-72: a much enlarged 1970-71 legislative appropriation enabled initial Council support for television, video and media projects and increased assistance for film showings, filmmaking, poetry and literature; support broadened and diversified in 1971-72. The report notes productive filmmaking at the MediaEquipmentResourceCenter and independent video reaching audiences by coaxial cable; writers' public appearances and workshops more than doubled with Council support for the Teachers and Writers Collaborative and St. Mark's Church In-the-Bowery Poetry Project, and a 1971-72 grant aided small circulation magazines via the Coordinating Council of Literary Magazines; entry signed Peter Bradley.

  16. New York State Council on the Arts Annual Report 1971-72: Executive Statements and Financial Report Groups

    Omar K. Lerman reports that the New York State Council on the Arts found 1971-72 (Year 2) equal to Year 1: applications rose from 850 to 1,216 while the appropriation for Council distribution fell by $5 million ($2.7 million excluding a $2.3 million NYPL special appropriation), and 805 organizations were supported versus 600 the prior year. The Council administered over $14 million; Special Programs made 116 grants across disciplines; separate programs served 573 organizations and the Information Center handled about 3,500 inquiries. A National Research Center survey of 543 nonprofit cultural organizations showed $184 million in expenditures; State funding for those organizations was $8.8 million and yielded $15 from other sources for each State dollar, returning the subsidy three times over.

  17. New York State Council on the Arts Annual Report 1972-73 Groups

    New York State Council on the Arts annual report 1972-73 lists Film/TV/Media/Literature Program staff and names Peter Bradley Program Director; it highlights Frank Gillette’s Track/Trace at the Everson Museum of Art in Syracuse using three cameras and fifteen monitors. Financial tables give totals for 1970-71 through 1972-3 and allocations across major program areas; the director’s statement records 1972-73 grants including 25 filmmaking workshops, film festivals, TV support and a Planning Corporation for the Arts grant for a thirteen-week two-hour video arts series aired on a New York City municipal channel, and literature grants with over 52 applicants in 1973-74.

  18. New York State Council on the Arts Annual Report 1972-73 Groups

    The New York State Council on the Arts 1972-73 film program supported independent cinema infrastructure, stabilizing centers such as the Millennium Film Workshop, Circle Film Forum and Media Study, Inc. in Buffalo; funded exhibition, repertory and museum programs including the New American Filmmakers Series at the Whitney and expanded study centers at Anthology Film Archives and The Museum of Modern Art. The Council backed equipment lending through the Media Equipment Resource Center administered by the Young Filmaker's Foundation, which evaluated nearly $500,000 in equipment and services after $125,000 in Council support. The Film and Video Bureau provided matching funds for rentals and speaker appearances; total film support exceeded $500,000 and affected 60 groups and institutions.

  19. New York State Council on the Arts Annual Report 1973-74 Groups

    Section of the New York State Council on the Arts 1973-74 annual report lists Film/TV/Media/Literature staff with Program Director Peter Bradley and associates Barbara Haspiel, Maralin Bennici, Gilbert Konishi and Lydia Silman; three-year budget tables show total funds and a breakdown of grants, aids and subsidies. Council support for Film/TV/Media/Literature totaled $1,419,525; the Literature program distributed $330,525 to 24 organizations; the Film program supported 55 organizations with $479,000; the TV/Media program made $610,000 in grants to 39 organizations, with named beneficiaries, workshops, equipment purchases, archives and conferences described.

  20. New York State Council on the Arts Annual Report 1973-74: Funding for Film and Media Groups

    1973-74 New York State Council on the Arts Film and TV/Media programs list recipients and grants for film and media activities across New York State; entries specify organizations, locations, grant amounts, and purposes such as salaries, production and operating expenses, equipment purchases, film and videotape rentals, and festival and workshop support. The Film and Video Bureau (administered by New York Foundation for the Arts) provided matching funds for lectures and rentals; the Media Equipment Resource Center (MERC), run by the Young Filmakers Foundation, loaned Super-8mm and 16mm equipment and post-production facilities and reported service valuations and recipient totals for 1973-74.

  21. New York State Council on the Arts Annual Report 1974-75 Groups

    The New York State Council on the Arts 1974–75 report for Film, TV/Media and Literature records total NYSCA receipts of 35,957,900 and program expenditures for Film, TV/Media, Lit of 2,871,133. The TV/Media program awarded $1,233,770 to 42 organizations to establish video resource centers, support artist-in-residence programs (including ZBS Foundation, Innervision Media Systems and the Educational Broadcasting Corporation/TV Lab) and to purchase time-base correctors for public television; it funded a New York Performance broadcast series. Film funding rose to $1,077,172 supporting 80 organizations and expanded film exhibitions and productions; MERC (Young Filmakers Foundation) loaned equipment to 184 organizations and 284 artists in 32 counties; the Film and Video Bureau (New York Foundation for the Arts) assisted 77 organizations in 34 communities.

  22. New York State Council on the Arts Annual Report 1975-76 and 1976-77 Groups

    The 1975–76 and 1976–77 NYSCA reports cover TV/Media and Film programs under Program Director Peter Bradley, listing staff, advisory panels, and itemized statewide grants. Total funds received were $35,947,000 (1975–76) and $29,015,900 (1976–77); the Film program made 62 grants totaling $1,078,549 in 1976–77 and joined an NEA matching project with the Council providing $137,000. The Media Equipment Resource Center (MERC) provided free equipment loans and post-production facilities, serving 428 artists/187 organizations in 1975–76 (saving $677,152) and 493 artists/129 organizations in 1976–77 (saving over $668,202).

  23. New York State Council on the Arts Annual Report 1977-80. Reports by Film and Media Programs Groups

    New York State Council on the Arts Media Program, directed by John Giancola, reports Total Local Assistance Awards with Media allocations of $992,000, $1,075,000 and $1,127,000 alongside total award figures. The report traces the Program from its development in 1970, describes Council support for production and post-production facilities (including the TV Lab at Channel 13 and ZBS Sound Studios), media resource centers and exhibition programs, and notes a new Arts Programming for Television category beginning 1980-81. It lists year-by-year grants to dozens of New York organizations and names advisory panelists with affiliations and service years.

  24. New York State Council on the Arts Annual Report 1977-80. Reports by Film and Media Programs Bibliography

    Listing of all organizations receiving funding from the Film and Media Programs at the New York State Council on the Arts.

  25. New York State Council on the Arts Annual Report 1980-81. Reports by Film and Media Programs Groups

    New York State Council on the Arts Media Program annual report 1980–81 records total local assistance awards of $30,820,133 with $1,170,000 allocated to media; program staff include Director John Giancola and Program Analyst Arthur Tsuchiya. The report itemizes grants by category—Media Centers, Video and Audio Production, Artists-in-Residence, Regranting Facility, Exhibition, Arts Programming for Television, Service Projects, Facility operating expenses and Workshops—and lists funded organizations and award amounts (examples: Educational Broadcasting Corporation $75,000; Syracuse University Synapse Video Center $41,640; Haleakala $31,740). Advisory panelists are listed with affiliations and appointment years (1980–82 and 1980–81).