Jeanne Liotta exhibition at Anthology Film Archives. June 8, 2001
Events by Year
2001
Joe McKay and Kristin Lucas presented an evening of work at the Ti-Ahwaga Community Players Theater, Owego, in conjunction with the International Student Residency at the Experimental Television Center.
2001
Preserving the Immaterial: A Conference on variable Media at the Solomon R. Guggenheim Museum on March 30th and 31st, 2001.The focus of the conference is the museum's Variable Media Initiative, a radical new solution to the contested issues of new media preservation. Preserving the immaterial will examine case studies of artworks in a variety of ephemeral media, ranging from photo collages and film performances to video installations and Web sites. Artists, curators, conservators, and media experts will debate strategies for safeguarding these works against deterioration, technological obsolescence, and cultural amnesia. Organized by John G. Hanhardt, Senior Curator, and Jon Ippolito, Assistant Curator, Film and Media Arts Program of the Guggenheim Museum. Artists' works studied include those of Jan Dibbets, Felix Gonzalez-Torres, Ken Jacobs, Robert Morris, Mark Napier, Nam June Paik, and Meg Webster.
2000
Amy Jenkins premiers "Shelter for Daydreaming" at the John Michael Kohler Art Center (Wisconsin) November 12, 2000 - February 4, 2001. A two channel video installation, the work was supported by the New York State Council on the Arts (Experimental Television Center, fiscal sponsor), by Finishing Funds, the Harvestworks Digital Media Arts Center and the MacDowell Colony.
2000
"History Lessons" by Barbara Hammer is a reconstruction on film of lesbian history dating back to the very dawn of cinema. Supported in part by an award from the New York State Council on the Arts administered by the Experimental Television Center.
2000
"History Lessons" by Barbara Hammer is a reconstruction on film of lesbian history dating back to the very dawn of cinema. Supported in part by an award from the New York State Council on the Arts administered by the Experimental Television Center.
2000
Benton C Bainbridge presented Triggers at The Kitchen, December 7-23, 2000. Jukebox by Aaron Cantor, Spatialistics by the housofouch. An interactive jukebox stocked from a suite of analog-synthesized videos. Support from the Experimental TV Center.
2000
Black Box Video Shorts, October 11- November 8, 2000 at the College Art Gallery , College of New Jersey. Exhibition of early video art, including installations, live performances and tapes, and a large selection of ephemera from the Experimental TV Center's collection of early posters, programs and other materials. Curated by Anita Allyn. Also included works by Experiments in Art and Technology, works by Douglas Davis, Wolfgang Staehle, David Blair, Willoughby Sharpe, Amos Poe, Jack Waters, and Penny Arcade. Performances by Walter Wright and Marc Bisson.
2000
Finishing Funds is a grants program of the Experimental Television Center, supported by the New York State Council on the Arts. Awards for 2000 were made to: Zoe Beloff "Shadow Land or Light from the Other Side" - a stereoscopic film investigation into the relationship between imagination and cinema technology, depicting the experience of a medium, Elizabeth d'Eperance, as a kind of mental projector, conjuring up specters for her clients Richard Bloes "Night Space" - a laserdisc installation using domestic materials to present a cosmology which explores how technology effects domestic space Lawrence Brose "Crossing" - experimental film exploring the erotic politics of sailor hazing rituals Anita Cheng "Daily Dance" - a year long dance constructed of daily works, presented interactively on the Web David Crawford "International Velvet" - a Web exploration of the ancient language of flags and the root and future of these visual forms of communication Brian Frye "Wormwood's Dog and Monkey Show" - a 16mm film composed of the discarded fragments of films, scraps of leader and laboratory remnants and remains of half started and abandoned projects by unknown filmmakers Neil Goldberg "...
2000
Mantic Ecstasy, a catalog of video works produced at the Institute for Electronic Arts at Alfred University. Includes works by Peer Bode, Pamela Susan Hawkins, Andrew Deutsch, Jessie Shefrin and Darrin Martin which were produced, in part, through the Residency Program at the Experimental Television Center.
2000
These Are Not My Images (neither there nor here) was produced by Irit Batsry during an residency at the Academy of Media Arts,Cologne, in association with La Sept/ARTE with support from the Department of Fine Arts(French Ministry of Culture). Made possible with public funds from the New York State Council on the Arts, The Experimental TV Center, Central St. Martins College of Arts (London), Grand Canal (Paris), The Lux Center (London). Soundtrack by Stuart Jones. 80 min., 2000. Mastered on D1. Projection formats include 35 MM, Digital Betacam, BetacamSP
2000
Arch and How I See the World, works by Janene Higgins and Zeena Parkins, presented in performance at Experimental Intermedia, NYC, December 12, 2000. Works supported by the Experimental TV Center residency and grants programs.
2000
Dream Reels: VideoFilms and Environments by Jud Yalkut. Whitney Museum of American Art. November 4 - December 3, 2000. "Vision Cantos, 2000" produced at the Experimental Television Center.
2000
Installation Works by Megan Roberts and Raymond Ghirardo. Exhibited at Charleston Heights Arts Center (NC), at Las Vegas Cultural Arts Center (NV) and at Handwerker Gallery (Ithaca, NY). 2000
2000
Installation Works by Megan Roberts and Raymond Ghirardo. Exhibited at Charleston Heights Arts Center (NC), at Las Vegas Cultural Arts Center (NV) and at Handwerker Gallery (Ithaca, NY).
2000
Not Still Art Festival 2000, held at the MicroMuseum, Brooklyn, NY April 29,2000. Not Still Art included a curated screening of works, a historical retrospective of works by Jud Yalkut, Carol Goss, Bill Etra, Shalom Gorewitz, Reynold Weidenaar and Mary Ross, created on a Paik/Abe Video Synthesizer and live performances by Carol Goss, Vanessa Bley, Hayes Greenfield, William Laziza, Mick Fortunato, Curtis Bahn, Dan Trueman, Walter Wright and Zipperspy aka Maria Moran.
2000
Rockefeller Foundation awarded Film/Video Multimedia Fellowships to Kelly Anderson and Tami Gold, Peter Bratt, Hanna Elias, Marlon Fuentes, Charlene Gilbert, Sharon Lockhart, Lalo Lopez and Esteban Zul, Emiko Omori, Sam Pollard, Ellen Spiro, Caspar Stracke, Chris Sullivan, Isaac Webb, David Williams
2000
Sexual Healing, exhibition of works by Shigeko Kubota. Lance Fung Gallery, NY. March 2 - April 1, 2000
2000
Bay Area Video Coalition organizes TechArcheology: A Symposium on Installation Art Conservation, held at the San Francisco Museum of Modern Art, and supported by the Getty Foundation. January 5-6, 2000. ABout 25 invited participants included the Getty Conservation Institute, MOMA, Tate Gallery, Carnegie Museum of Art, Pacific Film ARchives, SFMOMA, and four installation artists Dara Birnbaum, Hary Hill, James Coleman and Steve McQueen.
2000
The Worlds of Nam June Paik, exhibition at Guggenheim Museum, New York.