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Magic Wand Word Processing System User's Manual Bibliography

Magic Wand Word Processing System User's Manual. For CP/M Operating System. Xerox Copy. Includes screen shot illustrations and hot keys quick references.

1998 Magnetic Media Preservation Sourcebook Chronology

Magnetic Media Preservation Sourcebook, edited by Mona Jimenez and Liss Platt, published by Media Alliance

Magnetic Media Preservation Sourcebook Bibliography

Magnetic Recording Handbook Bibliography

Magnetic Recording Tape: A Discussion of the Material Properties of Tape Having Relevance to the Storage, Performance, and Systems Effects Bibliography

Magnetic Tape Erasure - How Serious Is the Threat? Bibliography

Magnetic Tape Storage and Handling: A Guide for Libraries and Archives Bibliography

Main NEC Instruction Guide Bibliography

Main NEC Instruction Guide. Main Nec is a menu-driven keyboard controlled program for the computer (10 pages).

Making the Transitory Permanent: The Intellectual Heritage in a Digitized World of Knowledge Bibliography

Making Waves - Lanesville TV Groups

Videofreex, a video collective formed after Woodstock, moved into Maple Tree Farm in Lanesville in June 1971 with a promised New York State Council on the Arts grant and set up a small studio using low-cost videotape recorders (VTRs). With technical help from Joseph Paul they built an antenna and improvised a transmitter and on March 19, 1972 launched Channel 3 Lanesville TV, producing local programs including a trout-stocking tape and the Buckaroo Bart children's show and prompting an FBI inquiry. The broadcasts continued until 1977 as membership and local services dwindled.

Malcolm Le Grice People

Malcolm Le Grice studied painting at the Slade in the mid 1960s and became known as an Experimental Film-maker; he also exhibited video, performance and pioneering computer art via the Computer Arts Society in 1970 and expanded in the 1970s–1980s into multi-projections, TV works and digital and interactive computer systems. His work is held in archives and collections in Australia, the USA and Europe and has been shown at the Louvre, Centre Georges Pompidou, MoMA and the Tate and Hayward Galleries; he has published books, critical essays and theoretical articles collected as Experimental Cinema in the Digital Age (British Film Institute) and held academic posts at the University of Westminster and Central Saint Martins.

Man Ray. Do You Want To... An Interview With William Wegman Bibliography

Managing Audiovisual Records Bibliography

Manhattah Short Cuts - Themes in Image Processing at The Kitchen, December 1981 Bibliography

Mantic ecstasy: Digital image and Video Art Bibliography

Mantic ecstasy: Digital image and Video Art. Catalog includes thousands of pictures of video art. Most text is found in Japanese; however, English sections include information regarding work and biography for the following artists: Jessie Shefrin, Joseph Scheer, Peer Bode, Darrin Martin, Pamela Susa…

Manual for Tel-Tec 210 Television Time Error Corrector. Automation Techniques, Inc Bibliography

Manual for Tel-Tec 210 Television Time Error Corrector. Automation Techniques, Inc. Table of Contents holds the following seven sections: Warranty, Unpacking and Installation, Operation and Front Panel Controls, Internal Adjustments, Theory of Operation, Troubleshooting, Parts Information, and Schem…

Many Hands: Light Work's First 25 Years Groups

Jeffrey Hoone documents Light Work, an artist-run photography organization rooted at Syracuse University that emerged from a 1972 student movement to create a media center; founders Phil Block and Tom Bryan organized the University Union Community Darkrooms and University Union Television and secured early support from Synapse and the New York State Council on the Arts. Light Work developed exhibitions, workshops, a grant program, and an Artist-in-Residence program (1976) and publishes Contact Sheet; by 1980 its programs and national reputation were established and staff grew to four full-time positions.

Mapping Space, Sculpting Time: Mary Lucier and the Double Landscape Bibliography

Mara Alper People

Mara Alper is an award winning video artist, documentary maker and screenwriter. Her works Silent Echoes, Stories No One Wants To Hear, Moving On, Maria Mitchell: Explorer of the Stars and other programs have screened on PBS, The Learning Channel, Kanal-4 Germany, Museum of Modern Art, NYC, Museum o…

Marc Fournel People

Marc Fournel has worked in media arts since 1995; he produced vidéos and installations before turning to interactive projects and participated in programming, coordination and diffusion at the center of artists DaÔmon (Gatineau), and he directs the PARK, an interactive laboratory associated with Vidéographe (Montreal). His practice spans single-channel and installation video, interactive works and theatrical video components; notable works include Parole, gesture, 4 minutes of silence (1995), the Well (1999-2000), asset and its loophole (1997) and Chasm (2002). The Well spatializes sound via visitor-triggered loudspeakers and was presented at Multi Month in Quebec in 2001 after residencies at Videotape (Quebec) and with the center Avatar (Quebec); Fournel collaborated on Chasm with Jean-FranÁois Laporte and Richard Simas.

Marco Scoffier and Miwa Koizumi People

Mia Koizumi works across contemporary artistic practice, focusing on memory and disappearance; she uses natural phenomenon to reveal simple facts about everyday existence and employs sound, image, smell and taste as materials, usually presenting work as careful installations and expressing interest in making an installation of almost nothing; website http://miwa.metm.org/. Marco Scoffier pursues projects intended to change how viewers look at things; he calls an art work a project to keep it alive and adaptable; website http://marco.metm.org/.

Margaret Morse People

Margaret Morse is Professor of Film and Digital Media at the University of California at Santa Cruz. She has written numerous articles on media, embodiment, art, aerobics, sport and food; she is the author of Virtualities Television, Media Art and Cyberculture (Indiana UP, 1998) and, as main author, Hardware, Software, Artware (ZKM and Cantz Verlag, 1997).

Margarita De la Vega-Hurtado People

Margarita De la Vega-Hurtado is Executive Director of International Film Seminars, organizers of the Flaherty Film Seminar; she holds a Doctorate in American Culture with a focus on Film Studies from the University of Michigan in Ann Arbor, where she was an Adjunct Professor. She has taught at the University of California in Santa Cruz (Merrill College) and has programmed, curated, and presented film programs in Latin American and Latino cinema, independent American cinema, and documentary cinema; she has published papers on those subjects as well as on Colombian cinema, Louis Malle, and Luis Bunuel.

Margot Lovejoy People

Margot Lovejoy, Professor of Visual Arts at the State University of New York at Purchase, authored Postmodern Currents (1997) and received a Guggenheim Fellowship (1988) and an Arts International Grant in India (1994). She exhibited in and around New York with solo shows at P.S.#1, the Queens Museum and the Neuberger; her work is in the collections of MoMA and the Getty Institute. Her web project Parthenia was archived by the Walker Art Center/adaweb.com; TURNS was featured in the 2002 Whitney Biennial; she published visual books including Labyrinth (1991) and The Book of Plagues (1995).

Margot Starr Kernan People

Margot Starr Kernan, born in Cambridge, Mass., USA, 1927, was educated at Bennington College and San Francisco State University (M.A.); her video work was exhibited at EZTV Gallery, Los Angeles; Chicago Women’s Film Festival; Artist’s Space, New York City; Washington Project For The Arts; BANFF Centre, Canada; and Open Channel, Melbourne, Australia. She worked in the Residency Program at the Experimental Television Center.