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Bill Viola: Video Visions From the Inner Self, Part II Bibliography
Bill Viola's Room for St. John of the Cross: A Video Installarion Viewed within the Tradition of Visual Art Bibliography
Bill Viola's Video Vision Bibliography
Bill Viola's Video Vision Magazine/catalog of the San Francisco Video Festival. Critical essay by Media Study/Buffalo curator John Minkowsky.
Bill Viola's Video Vision Bibliography
Bill Wegman People
William Wegman, born Holyoke, Massachusetts 1943, earned a BFA (Massachusetts College of Art, 1965) and an MFA (University of Illinois, Champaign-Urbana, 1967); after teaching he moved from painting to photography and video. In Long Beach he acquired Man Ray, beginning twelve-year collaboration; Wegman moved to New York in 1972, acquired Fay Ray (1986) and began using Polaroid 20 x 24 camera, with litters in 1989 and 1995. His work has been exhibited internationally, including a retrospective at Whitney Museum of American Art; he lives in New York and Maine.
Billy Kluver People
Billy Kluver (born Johan Wilhelm Kluver in Monaco, raised in Salen, Sweden) trained in electrical engineering at the Royal Institute of Technology and received a Ph.D. from UC Berkeley; he worked at Bell Telephone Laboratories (1958–68) and assisted on early television and underwater camera projects. He collaborated with Jean Tinguely and Robert Rauschenberg, co-organized 9 Evenings (1966) and co-founded Experiments in Art and Technology to link artists with engineers; he led the Pepsi Pavilion team for Expo '70 and contributed to Rauschenbergs Mud Muse. In later years he published A Day with Picasso (1997) and Kikis Paris (1989, with Julie Martin) and received honors from Sweden, Parsons and France; he died in 2004.
Binder containing Cromemco Z-2, Z-2D Instruction Manual and Measurement Systems and Controls Addendum to Technical Manual for Model DM6400 Series, S-100 Dynamic Memory Boards Bibliography
Binder containing Cromemco Z-2, Z-2D Instruction Manual and Measurement Systems and Controls Addendum to Technical Manual for Model DM6400 Series, S-100 Dynamic Memory Boards. Duplicate Copy. S-100 Memory Board, Z80 Timing Diagrams, Z2/ Z2D Instruction Manual (Volume 7). Addendum to Technical Manual…
Binghamton Babylon: Voices from the Cinema Department 1967-1977 Bibliography
Artists who use digital technology to explore synesthesia. Traveling exhibition at Eyebeam (May 25-July 25, 2005), Wood Street Galleries, Pittsburgh (November 4 - ecember 31, 2005), and Center for Art and Visual Culture, Baltimore (January 27 - April 7, 2006). ArtistsL Scott Arford, Jim Campbell, D-…
Binghamton University - Cinema Department & Artists Lab at School for Advanced Technology, (1977, 1980, 1983, 1998) Groups
Cinema Department Pamela Susan Hawkins, 1998 The Electronic Gallery Exhibitions 1980, 1983 Cinema Department Program & Relationship with Experimental Television Center Survey of Film/Television/Video/Still Photography/Electronic Music Activity at State University of New York Campuses John Minkowsky.…
Binghamton: Video World Hollywood Bibliography
Profile of Experimental Television Center
Binocularis Bibliography
studies in binocular seeing. Video print image by Woody Vasulka
Biography Bibliography
Biography of Aldo Tambellini. The Age of Communicationsphere by Tambellini.
1981 BITNET Chronology
BITNET (Because It's Time Network) began as a cooperative network at CUNY and provided email, a listserv and file transfer. It adopted the IBM RSCS protocol suite and used direct leased-line connections; most original links were between IBM mainframes in university data centers, with protocol implementations later enabling other machines. BITNET served users across academic disciplines and offered services such as LISTSERV; by the time of writing it and parallel networks (e.g., EARN in Europe) comprised several thousand participating sites and established a TCP/IP backbone with RSCS-based applications running above TCP.
1987 BITNET and CSNET Chronology
BITNET and CSNET merged to form the Corporation for Research and Educational Networking (CREN). A key feature of CREN is that its operational costs are fully met through dues paid by its member organizations.
BJA Systems Model 135 Colorizer Preliminary Data Sheet (2 copies); Chromaton 14 Synthesized Animation for Television Bibliography
BJA Systems Model 135 Colorizer Preliminary Data Sheet includes photograph, diagram, and technical specifications. Attached is sales cover letter to Bryan Byrnes, Coordinator of ETC in 1976. Chromaton 14 Synthesized Animation for Television one page brochure folded into 3 parts. Discusses multi-leve…
Black and white images from the Videola and its creator Don Hallock. Photography by Penny d'Hammer Bibliography
2000 Black Box Video Shorts, Chronology
Black Box Video Shorts took place October 11–November 8, 2000 at the College Art Gallery, College of New Jersey; the exhibition presented early video art in installations, live performances and tapes and displayed ephemera from the Experimental TV Center's collection of early posters, programs and other materials. Curated by Anita Allyn, it included works by Experiments in Art and Technology, Douglas Davis, Wolfgang Staehle, David Blair, Willoughby Sharpe, Amos Poe, Jack Waters and Penny Arcade; performances were given by Walter Wright and Marc Bisson.
Black Dog Dreams Bibliography
Matthew Schlanger recounts creating Black Dog Dreams in Brooklyn in 1999 after building a personalized video system while living upstate and working at the Experimental Television Center; the piece was made exclusively with his system and allowed patches to run for days, weeks or months. He describes Black Dog Dreams as a six-part movement with each section comprised of 2 or more shorter real-time recordings, and states it was the last new work he finished. During editing his black Labrador became sick and died, and an earlier 8mm film of the same name was shown once at an ad hoc East Village backyard 8mm festival, with a long double-exposure shot of the dog in a Binghamton backyard among cherry blossoms.
Black Face Bibliography
Quarterly publication.
1978 Black Filmmaker Foundation Chronology
Black Filmmaker Foundation, New York City, receives New York State Council on the Arts (NYSCA) to begin "Dialogues with Black Filmmakers" screening series. The film series screens Black independent films in community centers throughout New York City.
1978 Black Filmmaker Foundation, Chronology
Black Filmmaker Foundation, New York City, is founded by Warrington Hudlin and George Cunningham
Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy Bibliography
Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy
Black Gate Bibliography
A poster for Tambellini's Black TV edited and compiled by Otto Piene and Aldo Tambellini.
1968 Black Gate Theater Chronology
Black Gate Theater, for electronic events, and Gate Theater, for experimental independent cinema, New York City, founded by Aldo Tambellini
Blithe Riley People
Blithe Riley is a video, performance and installation artist whose work combines narrative fragments with systemic structures and examines the operations of spectatorship; recent projects investigate space, navigation and perception in urban environments and seek to reveal dynamics of power, design and the shifting city landscape from unusual viewpoints. She received a BFA from Alfred School of Art and Design in 1999 and an MFA from Carnegie Mellon University in 2005, where she taught courses in video and performance; her work has screened nationally and internationally at venues including Lower Manhattan Cultural Council, The Kitchen, Roulette, Broadway 1602 Gallery and Monkeytown in New York City, The Warhol Museum in Pittsburgh and The European Media Arts Festival in Germany. She resides in Queens, New York; website: http://www.blitheriley.net