Explore the collection

Circle 8: International Forum of Super-8 Catalog Bibliography

Painter-turned-filmmaker adopted a Sony CV open-reel video camera in the late 1960s while teaching in The Bronx and funded the purchase with a bank loan; he produced experimental videotapes including CRIPPLE and KELSEY (screened at the First Documentary Festival of Global Village) and ran a Video Journal from 1971 to 1975. After returning from Europe he bought S-8 sound equipment, produced films including RUNNER (1981), learned double-system sound editing at Lindo's in Brooklyn, composed synthesized soundtracks and offered S-8 post-production in New York to clients from New England and Latin America.

1982 Circle/ Squared, Video Portraits Chronology

Beth Berolzheimer presented Circle/ Squared, Video Portraits, a five-channel video installation of four image-processed portraits surrounding a central super 8 image shot at a nudist colony, at Randolph Street Gallery, Chicago, December 13–17, 1982; the work combined image processing with a Super 8 source. Chap Freeman reviewed the exhibition in The Chicago Reader (12/10/1982), noting her reliance on multilayered sound tracks and electronically altered visuals. The review stated that her tapes embrace the technology of the taped image, turning perceived limitations of the picture tube into aesthetic advantages.

Circles of Confusion: Film, Photography, Video, Texts 1968-1980 Bibliography

Forward by Annette Michelson. Frampton taught at Center for Media Study at the University of Buffalo.

Circuit Bending & Living Instruments: The Trigon Incantor Bibliography

Circuit Bending & Living Instruments: The Trigon Incantor

1974 Circuit: A Video Invitational Chronology

Circuit: A Video Invitational exhibition at School of The Museum of Fine Arts Gallery, Boston. 1/7-2/3/74.

1974 Circuit: A Video Invitational Chronology

Circuit: A Video Invitational exhibition at School of The Museum of Fine Arts Gallery, Boston. 1/7-2/3/74.

1972 "Circuit: A Video Invitational" Chronology

"Circuit: A Video Invitational". Syracuse, NY: Everson Museum of Art, exhibition catalog

1973 "Circuit: A Video Invitational" Chronology

Circuit: A Video Invitational was a traveling exhibition of videotapes organized by the Everson Museum, Syracuse and curated by David Ross; it included works by over sixty-five artists. The exhibition traveled to Henry Gallery, University of Washington, Seattle; Cranbrook Academy of Art Museum, Bloomfield Hills, Michigan; Kˆlnischer Kunstverein, Cologne, West Germany; and Greenville County Museum of Art, Greenville, South Carolina.

1998 Circuits@NYS - The Arts in a Digital Age Chronology

Circuits@NYS - The Arts in a Digital Age was the Governor's Conference on Arts and Technology held March 27-29, 1998 in Palisades, NY; it was the first statewide forum focused on the intersection of the arts and the expanding technology industry and was a project of the New York State Council on the Arts in partnership with the New York Foundation for the Arts. Introductory acknowledgements were given by Debby Silverfine, Director of the Media and Film Program, New York State Council on the Arts.

circuits@nys: Governor's Conference on Arts and Technology Bibliography

circuits@nys: Governor's Conference on Arts and Technology heeld at the Palisades Executive Conference Center, March 27 - 29, 1998. Conference guide. Welcome: Conference introduction, Pre-conference activities, Acknowledgements, Project Staff. Conference Schedule. Art at the Conference: Friday Perfo…

City Director Films Life of Valentino Bibliography

A seance fo contact Valentino is planned by videographer Michael L. V. Butler for use in Our Lady of Saturday Night.

Claire Weingarten People

Claire Weingarten is a veteran of film distribution and exhibition who worked with The Film Society of Lincoln Center, The American Film Institute and on the inaugural two years of AFI's documentary festival Silverdocs; she produced the documentary BURNING IN THE SUN. She holds a Master’s degree in Cinema Studies from New York University and graduated cum laude from Columbia University with degrees in Film Studies, Asian American Studies and Anthropology. She currently oversees publicity and marketing for the Chelsea-based foreign and independent distributor Film Movement.

Cleaning, Remastering and Restoration Preservation

Survey of videotape cleaning, re-mastering and restoration practices; early experimenters named include Bob Harris (Anthology Film Archives), Tony Conrad (Media Study/Buffalo), Ralph Hocking (Experimental Television Center), videomaker David Schulman and staff at Electronic Arts Intermix. Methods discussed include scraping, wiping, vacuuming and baking for open-reel tape and RTI machines for cassettes; preservation-format considerations include transfer to uncompressed digital (D-2) or analog (Betacam SP) and creating two preservation masters stored in separate locations. Non-profit and commercial service providers are listed (BAVC, Vtape, VidiPax, Roland House and others); the text advises checking vendor inspection procedures, references and preserving hardware, manuals and engineer contacts.

Clip Klapp Bum Bibliography

Close Encounter with Ron Hays Bibliography

1976 Cloud Music Chronology

Cloud Music at Experimental Television Center. Live presentation by Bob Watts, Bob Diamond and David Behrman at ETC. 6/26-27/76

1976 Cloud Music Chronology

Bob Diamond presented Cloud Music at ETC on 6/26-27/76; the entry appears in the Ars Electronica catalog Video Pioneers, curated by Woody and Steina Vasulka, with participation by ETC and Ralph Hocking. ETC supplied many early devices and assisted with public interfaces; a reprint of the equipment manual was written by Sherry Miller Hocking and Rich Brewster.

1976 Cloud Music Chronology

Cloud Music at Experimental Television Center. Live presentation by Bob Watts, Bob Diamond and David Behrman at ETC. 6/26-27/76

Cloud-Driven Music: Description of Device and Installation Tools

Press Release for Cloud Machine 1974 Information sheet for Cloud-Driven Music c. 1976 Cloud Music was a mixed media installation developed by David Behrman, Bob Diamond and Robert Watts during 1974-1979. The installation consisted of a black and white camera which was pointed at the sky. A video ana…

Coco Fusco People

Coco Fusco is a New York-based interdisciplinary artist and writer who has performed, lectured, exhibited and curated around the world since 1988; she authored English is Broken Here (The New Press, 1995) and The Bodies That Were Not Ours and Other Writings (Routledge/inIVA, 2001), and edited Corpus Delecti: Performance Art of the Americas (Routledge, 1999) and Only Skin Deep: Changing Visions of the American Self (Abrams, 2003). Fusco received a 2003 Herb Alpert Award in the Arts and is an associate professor in the Visual Arts Division of Columbia University's School of the Arts; website www.cocofusco.com.

Cohu Schematics for Camera, Remote Control Mix Board, Clamp Output Amplifier with Sync Insertion, Cable Assembly CA-8, Burst Processor, Sync Delay Board, Video Paths (Typical System 21 x 7), Cable Assembly Background Generator and/or Blackburst, CA 61, Amplifier with Delayed and Non-Delayed Outputs, 3 x 1 Switch with Out Amplifier, Power Supply Fader Insert Keyer, Power Supply Coupler, Logic Card to Switch Delay, Fader Control (Section 1), Fader Control (Section 2), Mixer/Insert Keyer Block Diagram, Remote Mix and Effects Control, Switch Unit Mix/Effects, Amplifier with Delayed Output, Lamp Drive and Control Functions, Switch Card with Controls, Tally Relay, Remote Mix and Effects Control Kit, Output Amplifier Fader Insert Keyer, Fader Insert Keyer Chassis, Blanking Adder, Isolation Amplifier, Special Pattern Control Card,.some hand-written diagrams and modification notes Bibliography

Cohu Schematics for Camera, Remote Control Mix Board, Clamp Output Amplifier with Sync Insertion, Cable Assembly CA-8, Burst Processor, Sync Delay Board, Video Paths (Typical System 21 x 7), Cable Assembly Background Generator and/or Blackburst, CA 61, Amplifier with Delayed and Non-Delayed Outputs,…

Col-R-Tel Converter System Tools

The Model 100-1 Col-R-Tel was a mid-1950s mechanical color-conversion system designed to be placed in front of a ten inch black-and-white television set; a motorized spinning tricolor disc in a large plastic wheel synchronized with an assembly on the back of the TV while a chassis mounted to the rear provided electrical connections inside the set. The converters produced a reasonably good color picture only on very small screens; original cost in 1955 was $150 and the device was featured in Popular Science, October 1955.

1983 Coleco Industries Chronology

Coleco Industries announces the Coleco Adam computer

Collaboration in Electronic Image Processing Groups

Electron Movers was a Providence video collective formed at RISD in the early 1970s by Robert and Dorothy Jungels, Dennis Hlynsky, Laurie McDonald and the author; RISD hosted workshops by Brice Howard and the Vasulkas and had acquired basic video gear in 1970. Incorporated in 1974 as Electron Movers, Research in the Electronic Arts Inc., they occupied a 2,500 sq ft loft, received an RI State Arts Council fellowship (Hlynsky) and an NEA fellowship (author), and pooled tools including a six-level George Brown mixer, Templeton colorizers, a Buchla synthesizer, editing gear, cameras and monitors. The group produced the interactive Video Maze (1974–76), staged dance/video installations and community workshops, and dissolved around 1978 with members continuing in documentary, production and institutional media roles.

1970 Collaborations in Art, Science and Technology Chronology

New York State Council on the Arts (NYSCA) funds Collaborations in Art, Science and Technology (CAST), Syracuse, under direction of Joseph Scala to explore the creative use of video.