Texts by Author

Afterimage at Visual Studies Workshop (2002).  A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1.
Agnes Etherington Art Centre, Queens University (1979).  Transcript from The International Video Art Symposium.
Aldighieri, M. (2004).  Confessions of a Pixil-Picker.
Allen, C. R. (1979).  Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy.
Ancona, V. (1983).  Visual Music. Videography. 8(12), 
Ancona, V. (1980).  Shalom Gorewitz: Metaphoric Image Manipulator. Videography. 5(11), 
Ancona, V. (1979).  Vibeke Sorensen: Demystifying Video Technology. Videography. 4(2), 
Ancona, V. (1979).  Barbara Buckner: Psychic Poetry Exemplified. Videography. 4(8), 
Ancona, V. (1979).  Jazzing Up the Home Screen (Carol Goss). Videography. 4(10), 
Ancona, V. (1976).  Nam June Paik: Portrait of the Electronic Artist. Videography. 1(4), 
Arn, R. (1973).  The Form and Sense of Video. Artscanada: The Issue of Video Art. XXX(4), 
Arthur, P. (2004).  Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty. Film Comment.
Beck, S. (undated).  Direct Video: Electronic Artform for Color Television. National Center for Experimental in Television Reports 3.
Beck, S. C. (undated).  Direct Video: An Electronic Artform for Color TV.
Betancourt, M. (2002).  Motion Perception in Movies and Painting: Towards a New Kinetic Art. Ctheory.
Bjorgeengen, K. (2004).  Kjell Bjorgeengen: New Videoworks.
Bode, P. (2003).  Bode videotapes 2003.
Bode, P. (2003).  Some Thoughts on Learning by Reading the Tools: Embodying the Time Image.
Bode, P. (2003).  UBER ORGAN ( body of life ).
Bode, P. (2001).  Open Source.
Bode, P. (1998).  Kjell Bjorgeengen - True Blanking.
Bode, P. (1990).  Kjell Bjorgeengen: Video Road.
Boyer, J-P. (1974).  L'Image Electronique.
Boyle, D. (1992).  From Portapak To Camcorder: A Brief History Of Guerrilla Television. Journal of Film and Video. 44(1 – 2 (40545)), 
Boyle, D. (1985).  Subject to Change: Guerrilla Television Revisited. Art Journal: Video - The Reflexive Medium.
Bronx Museum (1987).  The Second Emerging Expression Biennial: The Artist and the Computer.
Brown, G., & Dunn D. (1992).  Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .
Buchloh, B. H. D. (1985).  From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium. Art Journal: Video - The Reflexive Medium. Fall(1985), 
Buckner, B. (2001).  Healing Interactions and Interactive Digital Art - News and Project Statement. Afterimage.
Burris, J. (1996).  Did the Portapak Cause Video Art? Notes on the Formation of a New Medium. Millennium Film Journal. 29,
Butler, M. L. V. (1976).  The Dreme-Style Michael L.V. Butler and His Circle . The Program.
Butler, M. L. V. (1976).  The Dreme-Style Michael L.V. Butler and His Circle . The Catalog.
Cahn, J. (1972).  Seeing Things: The Work of Ralph Hocking. (Cahn, J., Ed.).Print. XXVI(II), 
Canepa, A. (1974).  Artist Contributors. (Canepa, A., Ed.).Art-Rite.
Carnegie Commission on the Future of Public Broadcasting (1979).  A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy.
Cavaliere, B. (1979).  Concepts in Performance: Taka Iimura. Soho Weekly News.
Chamberlain, P. (1986).  G.R.I.D..
Chang, C. (2000).  Trent Harris: Beaver Trilogy. Film Comment.
Chang, C. (2000).  Discovery: Miranda July Renaissance Riot Grrrl. Film Comment.
Chin, D. (1994).  Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media.
Chin, D. (1990).  The Video Art of Takahiko Iimura. FILM AND VIDEO: Takahiko Iimura.
Chris, C. (1996).  Video art: dead or alive?. Afterimage.
Collins, T., & Milazzo R. (1985).  The New Sleep: Stasis and the Image-Bound Environment. Art Journal: Video - The Reflexive Medium. Fall(1985), 
Collins, D. (1980).  Electronic Linguistics: Taka Iimura. ArtWeek. 11(41), 
Conrad, T. (1991).  Lessons for Localism from the Censorship Wars. The Squealer.
Conrad, T. (1989).  1 2 3 4: A Position Statement on Upstate Media Development. NY Media Decentralization Institute. June,
Cooper, C. (1986).  Low-Cost Creativity. Videography. 11(11), 
Corcoran Gallery (1971).  Electronic Hokkadim.
Creston, B. (1988).  Circle 8: International Forum of Super-8 Catalog.
Cuba, L. (1982).  An Introduction to Computer Animation. Video 80. 4,
Culler, J. (2004).  Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s.
Curran, A. (1999).  Signals in Syracuse - Video History: Making Connections conference. Afterimage.
Darke, C. (2000).  Chris Petit and Iain Sinclair Asylum. Film Comment.
Day, J. (1979).  The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy.
De Michiel, H., & High K. (2005).  A Closer Look: Hidden Histories - Introduction.
DeMartino, N. (1979).  The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy.
Dieckmann, K. (1985).  Electra Myths: Video, Modernism, Postmodernism. Art Journal: Video - The Reflexive Medium. Fall(1985), 
Dietrich, F. (1985).  Visual Intelligence: The First Decade of Computer Art (1965-1975). IEEE Computer Graphics and Applications - Art and Animation.
Dietrich, F. (0).  The Computer: A Tool for Thought-Experiments.
Dominick, K. (1972).  Notes on Videotape and TV.
Dordick, H. S. (1979).  The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy.
Druckery, T. (1993).  Iterations: The New Image.
Drury, S. (1999).  Who's in Control? Issues in Interactive Media Art. Connect: Information Technology at NYU.
Dzwonkoski, J., & Potter K. (2005).  Reverse Engineers.
Erdmann, P. (2004).  Cemeteries of Old Media. springerin.
Experimental Television Center, WAMC (2004).  Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Agenda. Participants. Screening..
Experimental Television Center, WAMC (2004).  Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. New Technologies.
Experimental Television Center, WAMC (2004).  Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Panel Discussion..
Experimental Television Center, & Hocking S M. (1998).  Video History Conference - Funding Reports 1997, 1998, 1999.
Experimental Television Center, Jones D., Hocking R., & Hocking S M. (1987).  ETC Proposal: Frame Buffer 1987.
Experimental Television Center, Hocking R., & Hocking S M. (1979).  New York State Council on the Arts Proposal: Video Processing Workshop. 1979.
Experimental Television Center (1979).  The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center.
Experimental Television Center, Hocking R., & Hocking S M. (1978).  Experimental Television Center Mission Statement 1978.
Experimental Television Center (1978).  Meeting April 15, 1978: Meryl Blackman, Peer Bode, Paul Davis, Ralph Hocking, Sherry Miller, Steina Vasulka, Walter Wright, Neil Zusman..
Experimental Television Center, & Hocking S M. (1978).  ETC Mission Statement and Programs. 1978.
Experimental Television Center (1978).  Experimental Television Center - Weltonville Meeting.
Experimental Television Center, & Hocking R. (1977).  LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Introduction 1977.
Experimental Television Center, McArthur D. Donald, Wright W., Brewster R., & Hocking S M. (1977).  LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware and Software Research Results for project. 1977.
Experimental Television Center, & Brewster R. (1977).  LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware Documentation for project 1977.
Experimental Television Center, Hocking R., McArthur D. Don, Wright W., & Hocking S M. (1977).  New York State Council on the Arts Proposal: Center for Microprocessor Research. 1977.
Experimental Television Center, Hocking R., & Hocking S M. (1977).  New York State Council on the Arts Proposal: Electronic Video Processing System Development. 1977.
Experimental Television Center, Hocking S M., & Hocking R. (1977).  ETC Program Summary 1976-77.
Experimental Television Center, Hill G., & Hocking S M. (1976).  New York State Council on the Arts: Proposal by Gary Hill - Sound/Image Water Environment..
Experimental Television Center, Jones D., & Hocking S M. (1976).  New York State Council on the Arts: Proposal for Development of Systems by David Jones. 1976.
Experimental Television Center, Hocking R., & Hocking S M. (1976).  New York State Council on the Arts: Proposal for Operation of Experimental Television Center. 1976.
Experimental Television Center, Hocking S M., & Hocking R. (1976).  ETC Program Summary 1975-76.
Experimental Television Center (1976).  Information, Works and Activities: Experimental Television Center.
Experimental Television Center, McArthur D. Don, & Hocking R. (1975).  New York State Council on the Arts Proposal: Don McArthur - Systems Approach to Video Art. 1975..
Experimental Television Center, Paik N. June, & Hocking R. (1975).  New York State Council on the Arts Proposal: Further Development of the Paik/Abe Video Synthesizer. 1975.
Experimental Television Center, Hoking R., & Hocking S M. (1975).  New York State Council on the Arts Proposal: General Operating and Discussion of Imaging System. 1975.
Experimental Television Center, Hocking R., & Hodking S. Miller (1975).  New York State Council on the Arts: Report for Development of Spatial and Intensity Digitizer and Jones Colorizer.
Experimental Television Center, Hocking R., & Hocking S M. (1975).  New York State Council on the Arts Proposal: General Operating and Discussion of Imaging System. 1975.
Experimental Television Center, Hocking R., & Hocking S M. (1975).  New York State Council on the Arts Proposal: Synthesizer Conference. 1975.
Experimental Television Center, Hocking R., & Hocking S M. (1974).  Rockefeller Foundation Proposal - Expansion of the Paik Abe Video Synthesizer. 1974.
Experimental Television Center, Hocking R., & Hocking S M. (1973).  New York State Council on the Arts: Report on Experimental Television Center programs and activities for 1972-73..
Experimental Television Center, Wright W., & Hocking S M. (1973).  New York State Council on the Arts: Proposal for Development of Synthesis System by Walter Wright.
Experimental Television Center (1972).  Work from the Experimental Television Center.
Experimental Television Center, Paik N. June, & Hocking R. (1972).  Rockefeller Foundation Proposal - Nam June Paik - Archive of Senior American Composers. 1972.
Experimental Television Center, Paik N. June, & Hocking R. (1971).  New York State Council on the Arts: Nam June Paik - Video Synthesizer and Beyond. Proposal from Experimental Television Center, 1971..
Experimental Television Center, & Hocking R. (1970).  New York State Council on the Arts: Proposal for the Experimental Television Center 1970.

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