Texts by Author
(2004). Confessions of a Pixil-Picker.
(1983). Visual Music.
Videography. 8(12),
(1980). Shalom Gorewitz: Metaphoric Image Manipulator.
Videography. 5(11),
(1979). Vibeke Sorensen: Demystifying Video Technology.
Videography. 4(2),
(1979). Barbara Buckner: Psychic Poetry Exemplified.
Videography. 4(8),
(1979). Jazzing Up the Home Screen (Carol Goss).
Videography. 4(10),
(1976). Nam June Paik: Portrait of the Electronic Artist.
Videography. 1(4),
(1973). The Form and Sense of Video.
Artscanada: The Issue of Video Art. XXX(4),
(2004). Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty.
Film Comment.
(undated). Direct Video: Electronic Artform for Color Television.
National Center for Experimental in Television Reports 3.
(undated). Direct Video: An Electronic Artform for Color TV.
(2002). Motion Perception in Movies and Painting: Towards a New Kinetic Art.
Ctheory.
(2004). Kjell Bjorgeengen: New Videoworks.
(2003). UBER ORGAN ( body of life ).
(2003). Bode videotapes 2003.
(2001). Open Source.
(1998). Kjell Bjorgeengen - True Blanking.
(1990). Kjell Bjorgeengen: Video Road.
(1974). L'Image Electronique.
(1992). From Portapak To Camcorder: A Brief History Of Guerrilla Television.
Journal of Film and Video. 44(1 – 2 (40545)),
(1985). Subject to Change: Guerrilla Television Revisited.
Art Journal: Video - The Reflexive Medium.
(1985). From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium.
Art Journal: Video - The Reflexive Medium. Fall(1985),
(2001). Healing Interactions and Interactive Digital Art - News and Project Statement.
Afterimage.
(1996). Did the Portapak Cause Video Art? Notes on the Formation of a New Medium.
Millennium Film Journal. 29,
(1972). Seeing Things: The Work of Ralph Hocking.
(Cahn, J., Ed.).Print. XXVI(II),
(1974). Artist Contributors.
(Canepa, A., Ed.).Art-Rite.
(1979). Concepts in Performance: Taka Iimura.
Soho Weekly News.
(1986). G.R.I.D..
(2000). Trent Harris: Beaver Trilogy.
Film Comment.
(2000). Discovery: Miranda July Renaissance Riot Grrrl.
Film Comment.
(1990). The Video Art of Takahiko Iimura.
FILM AND VIDEO: Takahiko Iimura.
(1996). Video art: dead or alive?.
Afterimage.
(1985). The New Sleep: Stasis and the Image-Bound Environment.
Art Journal: Video - The Reflexive Medium. Fall(1985),
(1980). Electronic Linguistics: Taka Iimura.
ArtWeek. 11(41),
(1991). Lessons for Localism from the Censorship Wars.
The Squealer.
(1989). 1 2 3 4: A Position Statement on Upstate Media Development.
NY Media Decentralization Institute. June,
(1986). Low-Cost Creativity.
Videography. 11(11),
(1971). Electronic Hokkadim.
(1982). An Introduction to Computer Animation.
Video 80. 4,
(1999). Signals in Syracuse - Video History: Making Connections conference.
Afterimage.
(2000). Chris Petit and Iain Sinclair Asylum.
Film Comment.
(1985). Electra Myths: Video, Modernism, Postmodernism.
Art Journal: Video - The Reflexive Medium. Fall(1985),
(1985). Visual Intelligence: The First Decade of Computer Art (1965-1975).
IEEE Computer Graphics and Applications - Art and Animation.
(1972). Notes on Videotape and TV.
(1993). Iterations: The New Image.
(1999). Who's in Control? Issues in Interactive Media Art.
Connect: Information Technology at NYU.
(2005). Reverse Engineers.
(2004). Cemeteries of Old Media.
springerin.
(1987). ETC Proposal: Frame Buffer 1987.
(1977). ETC Program Summary 1976-77.
(1976). ETC Program Summary 1975-76.