Texts by Author

Eyers, L. (2004). Histories of New Media Art.

Feldman, S. (1974). Exprmntl5 Catalog for Media Study.

Fessler, F. (1973). Has TV Finally Become An Art?. California Living.

Frank, P. (1974). The Avant Garde Festival: And Now, Shea Stadium. Art in America. 62(Six),

Friis-Hansen, D. (1982). Video-Music: New Correlations.

Furlong, L. (1994). Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded. (Furlong, L., Ed.).

Furlong, L. (1985). Tracking Video Art: Image Processing as a Genre. Art Journal.

Furlong, L. (1983). Notes Toward a History of Image-Processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra. Afterimage. 11(1 and 2),

Furlong, L. (1983). Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka. Afterimage. 11(5),

Furlong, L. (1983). Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka. Afterimage. 11(5),

Furlong, L. (1981). Television/Society/Art symposium, The Kitchen. Afterimage.

Gale, P. (1996). Bibliography: Peggy Gale.

Geever, M. (1983). New York Media Group Spins Its Reels in Rochester. Afterimage.

Gever, M. (1998). Growing pains: artists' organizations in the 80s - National Association of Artists Organizations' 1983 conference. Afterimage.

Gever, M. (1985). Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium. Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium. Fall(1985),

Ghazala, Q R. (undated). Circuit Bending & Living Instruments: The Trigon Incantor.

Gill, J. (1976). Video: State of the Art.

Giloth, C., & Pocock-Williams L. (1990). A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology. Art Journal. 49(3),

Gips, T. (1990). Computers and Art: Issues of Content. Art Journal. 49(3),

Goldberg, H. (1979). Pending Legislation and Other Proposals Dealing with The Independent Television Makers. Presented at the Conference Television Makers and Public Communications Policy.

Goss, C. (1998). Driven to Abstraction.

Grant, R. (1977). Ralph Hocking and the Experimental Television Center. Videoscope. 1(2),

Grossman, P. Z. (1978). Getting into the Act: Video in Live Performance. Videography. 3(3),

Gusella, E. (1979). A Statement on Video.

Gwin, B. (undated). Video Feedback: How to Make it; An Artist's Comments on its Use; A Systems Approach. National Center for Experimental in Television Reports 3.

Hagen, C., & Kite L. (1975). Walter Wright and his Amazing Video Machine. Afterimage. 2(10),

Hall, D. (1996). Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight.

Halleck, DD. (1979). Mind Power. Presented at the Conference Television Makers and Public Communications Policy.

Hanhardt, J. (2004). Strengthening the Media Arts in New York State : John Hanhardt.

Hanhardt, J. (1985). The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium. Art Journal: Video - The Reflexive Medium. Fall(1985),

Hanhardt, J. (1979). Taka Iimura's "I=YOU=HE/SHE".

Hays, R. (1974). Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts.

Herskowitz, R. (1991). The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival.

Herskowitz, R. (1988). Media Buff: Media Art of Buffalo Being In Between. (Herskowitz, R., Ed.).

Herzogenrath, W. (1974). Video Tapes. In German and English. Kolnischer Kunstverein.

Hess, J., & Zimmermann P. (1997). Transnational Documentaries: A Manifesto. Afterimage.

High, K., & Hocking R. (2005). A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center.

Hightower, J. B. (1970). NYS Council on the Arts 1969-70: Executive Director's Statement.

Hill, C. (2003). (Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog. Millennium Film Journal. No. 39/40(No. 39 / 40),

Hill, C. (1995). Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980..

Hocking, S M. (2004). The Evolution of Thinking Machines. The Squealer. 15(1),

Hocking, S M. (2004). The Evolution of Thinking Machines. The Squealer.

Hocking, S M. (2002). Saving the Images: A Report from the Looking Back/Looking Forward Symposium. The Squealer. 13(2),

Hocking, R. (1999). Motion: An Exhibition of Essentialist Film and Video. - Artist Statement.

Hocking, S M. (1998). Landscape: Mediated Views.

Hocking, S M. (1990). Reflections from Owego. The Squealer.

Hocking, R. (1986). G.R.I.D. - Works.

Hocking, S M. (1983). Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals.

Hollie, P. (1989). Hocking is "Champion of the Arts". unknown.

Hornbacher, S. (1985). Video: The Reflexive Medium - Editor's Statement. (Hornbacher, S., Ed.).

Hornbacher, S. (1985). Editor's Statement. Video: The Reflexive Medium Issue. Fall(1985),

Hornbacher, S. (1983). Artist's Video I: Video in the Boroughs.

Hornbacher, S. (1983). Artist's Video II: Video in the Boroughs.

Hudlin, W., & Cunningham G. P. (1979). Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy.

Iimura, T. (1998). Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura.

Iimura, T. (1990). Talking to Myself: Phenomenological Operation. Anthology Film Archives Notes.

Jacobs, K. (1982). Ralph Poem.

Jacobs, A. (1979). Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy..

Kearns, M A. (2003). Origins: REdiscovering the Future of Video Art. Cambridge(MA),

Kearns, M A. (1988). The Role of Technology in the Art of Nam June Paik: The Social Implications of Television.

Kiger, B. (1972). Videography What Does It All Mean?. American Cinematographer.

Kite, L. (1974). Video Conference Held at Albany. Afterimage.

Knecht, J. (1999). Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists. (Knecht, J., Ed.).

Knox, S. (1970). NYS Council on the Arts 1969-70: Chairman's Review.

Kurtz, B. (1975). Changing License.

Kurtz, B. (1973). Video is Being Invented. arts magazine. 47(3),

Landnzan, K. (1977). The Kitchen. Videoscope. 1(2),

Leogrande, E. (1973). The Video Stretch. Daily News.

London, B. (1995). Video Spaces: Eight Installations.

London, B. (1995). Time as Medium: Five Artists' Video Installations. Leonardo. 28(1),

London, B. (1987). Bill Viola: Installations and Videotapes The Poetics of Light and Time. (London, B., Ed.).

London, B. (1985). Video: A Selected Chronology, 1963-1983. Art Journal: Video - The Reflexive Medium. Fall(1985),

London, B. (1979). Video from Tokyo to Fukui and Kyoto.

Lucas, K. (1999). Why do I keep repeating myself?. Felix Voyerism. 2(2),

Marsh, K. (1977). Community Video: An Inner Look. Videoscope. 1(2),

Media Study/ Buffalo (1977). Electronic Arts: October 1977..

Media Study/ Buffalo (1977). Electronic Arts Series: January - May 1977.

Media Study/ Buffalo (1977). Design / Electronic Arts Poster.

Mella, L. (1994). Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: On Television.

Meredith, S. (2005). Hidden Treasure - 3 Flights Up. Press & Sun Belletin.

Meredith, S. (1989). Owego TV Pioneer Getting Arts Award. Press & Sun Bulletin.

Mikas, M. (2004). Tune (In))): Radio Community in Microcosm.

Milano, S. (1976). Women's Video Festival - Introduction.

Miller, S. (1983). Electronic Video Image Processing: Notes Toward a Definition. Exposure. 21(3),

Minkowsky, J. (1985). The Videotapes of Tony Oursler.

Minkowsky, J. (1984). Electronic Visions.

Minkowsky, J. (1978). Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound).

Minkowsky, J. (1978). The Videotape Collection at Media Study Buffalo. Afterimage. 5(7),

Minkowsky, J. (1978). Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers.

Minkowsky, J. (1978). Double Vision by Peter Campus.

Minkowsky, J. (1978). Some Notes on Vasulka Video - 1973-74.

Mooney, K. (1977). Gerald O'Grady: The Perspective from Buffalo. Videoscope. 1(2),

Moore, A. (0). Not on the Shelf: Accounting for New York City Artists' Organizations'.

Nesthus, M. (2003). A Birthday Celebration for Doris Chase Painter, Sculptor, Film/Video Pioneer. Program Notes for Exhibition..

New York State Council on the Arts (undated). The Film.

New York State Council on the Arts (1975). New York State Council on the Arts Video Conference at the Whitney Museum.

O'Grady, G. (1980). Introduction to The Frontier 1979-1980.

Osborn, B. (1990). At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn, B., Ed.).

Osborn, B. (1990). At Arm's Length: (Taking a Good Hard Look at) Artists' Video.

Otto, S. (1994). Changing channels: media arts in the '90s. Afterimage.

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