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1973 Mohonk Conference Chronology

Mohonk Conference, officially titled the Conference on Regional Development of Film Centers and Services, was organized by the Museum of Modern Art and the Pacific Film Archives and convened at Mohonk, NY in February 1973; it was attended by about 30 directors of regional media programs. About 33% of participants represented organizations that did not exist at the time of the Stanford Report (1967); most participants represented foundations, universities, museums and governmental entities while alternative spaces were not represented. Conference support came from the Rockefeller Foundation, the John and Mary Markle Foundation and the National Endowment for the Arts, and the report The Independent Film Community was published in 1977.

Momenta Art: Exhibitions 1995 Through 1999 Bibliography

Momenta Art: Exhibitions 1995 Through 1999. Introduction by Eric Heist and Laura Parnes, Co-Directors. Institution/Organizer: Momenta Art Site: Momenta Art Exhibition Dates: 1995-1999

Mona Jimenez People

Mona Jimenez is an artist and media arts consultant who served as Executive Director of Media Alliance (1993–96) and Director of Independent Media Arts Preservation (1996–2001); she was Researcher-in-Residence at the Daniel Langlois Foundation in 2003 and is Assistant Professor and Moving Image Preservation Specialist in Cinema Studies at NYU. Her work includes co-editing Magnetic Media Preservation Sourcebook, coordinating TechArcheology for Bay Area Video Coalition, and organizing conferences with the Experimental Television Center (Video History: Making Connections, 1998; Looking Back/Looking Forward, 2002). She received an Artist Fellowship in Computer Arts from the New York Foundation for the Arts in 1998 and has consulted for IMAP, ETV, Rhizome.org, WNET/Thirteen and other media organizations.

Monica Duncan People

Monica Duncan is an interdisciplinary print, video and performance artist and educator born and raised in Webster, New York; she received a BFA from Alfred University and served as assistant to the Director of the International Student Residency, a program of Alfred University and the Experimental Television Center. Exhibitions of the Evolutionary Girls Club were shown throughout Germany, Sweden and Finland and at the Virginia Museum of Fine Arts, Cornell University, Massachusetts College of Art and Rhode Island School of Design; she collaborated with Lara Odell on Antibodies, a video/performance project exploring color theory in a social context. In collaboration with Annie Langan she co-founded a Print/Video Residency program in Louisville, Kentucky; website listed at http://www.artselectronic.com.

Monica Panzarino People

Monica Panzarino (b. 1979, New York, NY) is a video artist and educator. Her video, performance, and installation works combine real-time image and sound processing with a feminist, and often humorous, critique of American popular culture. Panzarino received a Master of Fine Arts from the School of …

1993 Montage 93 Chronology

"Montage 93," Rochester, an international, city-wide conference and festival of exhibitions, screenings and commissioned video installations, conceived by Nathan Lyons, Director, Visual Studies Workshop (VSW)

Monte McCollum People

Monteith McCollum is an independent artist and filmmaker whose films Hybrid and Lawn have won numerous international awards; his films have been screened on the PBS series P.O.V. and on the Arte television network throughout Europe. He composes and performs film music using saws, violins and found objects around his barn in upstate New York and composed and performed the original score to Milk in the Land, Ballad of An American Drink. His filmic collaborations with Ariana Gerstein produce works from neglected and mundane subjects and objects.

Monteith McCollum and Ariana Gerstein People

Monteith McCollum is an independent filmmaker and educator who has taught at various schools in Chicago, Illinois and upstate New York such as Columbia College, Broome Community College and Ithaca College. He has been a visiting artist at colleges including Boston Museum School, Art Institute of Chi…

Montesquieu, Rousseau, Marx: Politics and History Bibliography

MonteVideo Art Foundation Bibliography

Information about MonteVideo organization.

Montgomery Ward Model 10301 CED Video Disc Player Bibliography

Montgomery Ward Model 10301 CED Video Disc Player. Ilustrated with photographs and controls views.

Montreal Tapes: Video as a Community or Political Tool Bibliography

Interviews; Statements by Challenge for Change; Parallel Video Institute; Intercom Staellite Project; La Femme et Le Film; Videotron; Groupe d'Intervention Video; statements on videotapes exhibited in Quebec '75, organized by Normand Theriault Site: The Vancouver Art Gallery Curator(s): Danzker,Jo-A…

Moog schematics for Series 900 Modular System: System Layout Synthesizer IIIC, System B 22 Unit Upper Console, Power Supply - Bode Frequency Shifter, Bode Ring Modulator, Frequency Shifter Block Diagram, Frequency Shifter, Bode Dome Filter, 960 schematic, 962 Voltage Sequencer, 961 Interface, 905 Reverberation Unit, 4 Input Mixer, 911 A Dual Trigger Delay, 912 Envelope Follower, 901 B Oscillator, 911 Envelope Generator, 910 Power Supply, 901A Oscillator Controller, 950 Keyboard, 904-C Voltage Controlled Filter Coupler Control Circuitry, 956 Ribbon Controller, 902 Voltage Controlled Amplifier, 903A Random Signal Source, 1084 Mixer-Amplifier,984 Four Channel Mixer, 904-B Voltage Controlled High Pass Filter, 914 Fixed Filter Bank, 904-A Voltage Controlled Low Pass Filter. Includes Tracking Procedure for 901B Bibliography

Moog schematics for Series 900 Modular System. Moog schematics for Series 900 Modular System: System Layout Synthesizer IIIC, System B 22 Unit Upper Console, Power Supply - Bode Frequency Shifter, Bode Ring Modulator, Frequency Shifter Block Diagram, Frequency Shifter, Bode Dome Filter, 960 schemati…

1969 moon Chronology

Live television broadcast from the moon.

Morgan Miller People

Morgan Miller was born in New York City in 1977 and began making cut-paper and hinged animation as a teenager using a Super 8 camera; William Zimmer of The New York Times characterized his work as mildly sinister with an absurd edge. His most recent animated short, Farber's Nerve, toured internationally with the 2006 Manhattan Short Film Festival and was exhibited at 137 screenings across the US, Canada, and Europe. He received a Finishing Funds 2007 award from the Experimental Television Center.

Morgan Robinson People

Morgan Robinson began his filmmaking career in production on Spike Lee's HE GOT GAME and SUMMER OF SAM and attended the New York Film Academy; his narrative short CATABASIS won first prize at the Dominique Dunne Memorial Film Festival and a golden apple at the National Educational Media Network Film Festival. He assisted John Halpern on ANGER, shot in Mexico, Colorado and Arizona, co-directed and photographed BURNING IN THE SUN since 2005, and produced JI DUMA: BRING THEM WATER. He produced and photographed Halpern's ONCE PARADISE in Kashmir, India; he studied religion at Columbia University and speaks English, French, Spanish and Mandarin.

Morrie in Videoland: AFI National Video Festival Bibliography

1993 Mosaic Chronology

The National Center for Supercomputing Applications releases Mosaic v1.0 web browser

Motion Perception in Movies and Painting: Towards a New Kinetic Art Bibliography

Michael Betancourt examines Julian Hochberg and Virginia Brooks' argument in Movies in the Mind's Eye that cinematic motion is a cognitive gestalt process rather than an ocular-physiological effect, and he applies that model to painterly motion. He analyzes examples including Eadweard Muybridge's photographic studies, Rubens' portrait of Helene Fourment and Francis Bacon's Three Studies of Lucien Freud (1969), cites John Berger and Rudolf Arnheim, and discusses film, videotape, photography and flickering shutters as relevant technologies. The essay proposes a perceptually based kinetic art and includes bibliographic notes; the author is identified as an art critic and artist in Miami, Florida.

1999 Motion: An Exhibition of Essentialist Film and Video Chronology

Motion: An Exhibition of Essentialist Film and Video was the 58th Exhibition of Central New York Artists at the Munson Williams Proctor Institute; Exhibition Guest Curator was John Knecht and Mary Murray served as Curator of Modern and Contemporary Art. Videotapes date from the late 1970s through the 1980s and were created at the Experimental Television Center; artists represented include Peer Bode, Matthew Schlanger, Connie Coleman and Alan Powell, and installation works were by Daniella Dooling, Ralph Hocking, Peter HUtton, Ken Jacobs, Carol Kinne, Heidi Kumao, Les Leveque and Neil Zusman.

Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists Bibliography

Ralph Hocking offers an artist statement for a computer-based installation slated for fall 1999; his listed installation works are Jump, diggit and Running, and he links the project to prior study in pottery. The work uses four to nine monitors, each driven by its own Amiga with one video and two audio outputs and a serial link to a master referee computer; the Amiga provides four oscillators and image and sound sampling, and imagery is altered by digital processing techniques including convolving, bit swapping and field manipulation, producing three-dimensional illusions. The project is part of Motion: The 58th Exhibition of Central New York Artists at the Munson Williams Proctor Institute, October 2, 1999 to January 2, 2000, curated by John Knecht.

Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists Bibliography

Catalogue essay by guest curator John Knecht for MOTION at the Munson Williams Proctor Arts Institute in Utica, New York, October 1999–January 2000; Knecht frames an essentialist approach to motion across chemical film, magnetic video and digital electronics. The exhibition presents gallery installations and screenings by Peter Hutton, Ken Jacobs, Heidi Kumao, Les LeVeque, Daniella Dooling, Carol Kinne, Ralph Hocking and Neil Zusman, plus a single-channel program of tapes produced at the Experimental Television Center in Owego by Peer Bode, Matthew Schlanger and Connie Coleman and Alan Powell. Knecht emphasizes technologies and formats including motorized thaumatropes, flipbooks, digital installations and an interactive web piece.

1976 Movements for Video Dance and Music Chronology

Movements for Video Dance and Music at the Herbert F Johnson Museum, Ithaca.. performance with Peer Bode, Meryl Blackman, Bill Jones and Arnie Zane. Support from the Experimental Television Center.

1976 Movements for Video Dance and Music Chronology

Movements for Video Dance and Music at the Herbert F Johnson Museum, Ithaca.. performance with Peer Bode, Meryl Blackman, Bill Jones and Arnie Zane. Support from the Experimental Television Center.

Movie Journal Bibliography