Video History Project
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5,159 records

  1. A Theory of Semiotics Bibliography

  2. A Thousand Plateaus Bibliography

    A Thousand Plateaus. Contents follow: Foreword by Teresa Bramlette (Curator), Machinic Art, Machinic Subjects: Sara Hornbacher's A Thousand Plateaus by John Johnston, Biography by Sara Hornbacher, Biography by Andrew Deutsch and John Johnston, and Acknowledgements. Institution/Organizer: Atlanta Con…

  3. A Tour at New York's Whitney Museum Bibliography

  4. A Tree is a Tree: An Autobiography Bibliography

    A Tree is a Tree: An Autobiography. Contents follow: Part One: Early Films: The Open-Air Stage, Part Two: Silent Films: Mastering a Form, Part Three: Sound and Color, Part Four: Little Screen, Big Screen, an Appendix: The Films of King Vidor, and an Index.

  5. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components Bibliography

    A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components by Lawrence W. Templeton, Don Hallock, Richard Stephens, and Ann Turner. Specifics include information on De…

  6. A Whole Technology of Dyeing: A Note on Ideology and the Apparatus of the Chromatic Moving Image Bibliography

  7. Aaron Davidson People

    Aaron Davidson holds a BFA from the University of New Mexico; he is a visiting instructor at Pratt and received a residency from Smack Mellon Studios. With Melissa Dubbin he has exhibited internationally including the Bronx Museum of the Arts (Rhizome Remix) and Espace Paul Richard (Paris); they have produced interactive media, video and telecommunications projects with LOT/EKarchitecture, Steina and Woody Vasulka, Morton Subotnick and Joan LaBarbara. Dubbin and Davidson held an artists residency at the Experimental TV Center, Owego, and received a New York State Council on the Arts award in 2003.

  8. Aaron Miller People

    Aaron Miller is an artist working in real-time, interactive and generative art who develops personalized hardware, software and audio/video instruments; he co-founded the Perpetual Art Machine, an online video art community and traveling installation. His exhibitions include Art Basel Miami Beach and Albright-Knox Art Gallery's Beyond/In Western New York; his multimedia performance Terminus received an NYSCA Individual Artist Grant. He has designed software for artists including Gary Hill for venues such as the Louvre and Pompidou; BA, Alfred University; MA, Media Study and Computer Music, University at Buffalo.

  9. Abby Luby People

    Abby Luby has created conceptual videos for about 20 years; her work focuses on structure, myth and the power of the image to create or recreate archetypal or mythic symbols and includes original sound scored for specific visuals and original text. A few years ago Luby joined Voices From History, a local media group; they produced a documentary about Paul Robeson in Peekskill: 1949, otherwise known as the Peekskill Riots, and made videos interviewing elders of the area, preserving personal testimonies that will never be in history books.

  10. Abigail Child People

    Abigail Child is a film and video maker who began with seven independent 16mm documentaries (1970–76, including Game, 1972, and Between Times, 1975), produced the experimental series Is This What You Were Born For? (1981–89), and made public-space works including B/side (1996) and Below The New: A Russian Chronicle (1999, shot in St. Petersburg, Russia). Her films premiered at New York Film Festivals and Oberhausen and have been shown at Anthology Film Archives and international festivals; she received a Fulbright (Russia), NEA and Guggenheim awards. She studied History & Literature at Radcliffe (Magna cum laude), holds an MFA from Yale School of the Arts, and since Jan. 2000 is Chair of Film/Animation at the School of the Museum of Fine Arts, Boston.

  11. About Looking Bibliography

  12. About Television Reality and Performance Bibliography

    National Center for Experiments in Television (NCET) reports, no date

  13. About Television Reality and Performance Bibliography

    by Brice Howard. 24 pages.

  14. About the Video History Project

    The Experimental Television Center’s Video History Project, begun in 1994, is an ongoing research initiative documenting video art and community television as they evolved in rural and urban New York State and spread across the US; initiatives include research, conferences and a website. The Project aims to identify, locate and make accessible tapes, artists’ instruments, writings and ephemera from early portable-media practices introduced in the late 1960s, and to cultivate research and public programming that situates independent media within broader cultural contexts. Thousands of tapes are held across New York State in libraries, museums, media arts centers, artists’ spaces, universities, video collectives and private collections; the Project invites public contribution and collaboration to assist preservation and access.

  15. Abscam: Video in Crime and Justice Bibliography

  16. Abstract Film and Beyond Bibliography

  17. Abstract Painting 1960-1969: Video Art in the Sixties Bibliography

  18. Abstract Time Bibliography

  19. 1978 Access Film and Video Equipment Chronology

    Access Film and Video Equipment a Directory researched by Nancy Legge for the Media Arts Program of the NEA published in 1978. Based on a 1977 survey of 72 organizations in 23 states.

  20. Access Film and Video Equipment: A Directory Bibliography

  21. 1969 Accuracy in Media Chronology

    Accuracy in Media founded.

  22. Acknowledgements Preservation

    Video Preservation - The Basics is a general introduction to electronic media preservation for the independent media arts community; it was researched and written by Sherry Miller Hocking of the Experimental Television Center and by artist and independent preservation consultant Mona Jimenez. The project was funded by a Media Action Grant from Media Alliance, Inc and by public funds from the New York State Council on the Arts; acknowledgements list Media Alliance (for excerpting the Magnetic Media Sourcebook) and co-editors Liss Platt and Mona Jimenez, Debby Silverfine, Claude Meyer and the Electronic Media and Film Program of NYSCA, David Jones of Dave Jones Design, and Independent Media Arts Preservation; February 2000.

  23. Acknowledgements Preservation

    Reel to Real: A Case Study of BAVC's Remastering Model: contents Photos were taken by Luke Hones, except where captioned. Special thanks to: The Electronic Media and Film Program at the New York State Council on the Arts for their support of this manuscript. Charles Bensinger for permission to repro…

  24. Acknowledgements Preservation

    The Experimental Television Center (ETC) organized the symposium Looking Back/Looking Forward in association with Independent Media Arts Preservation (IMAP), Bay Area Video Coalition and the Electronic Media Specialty Group of the AIC; Downtown Community Television Center hosted the event. Funding came from the Electronic Media and Film Program of the NYS Council on the Arts, with assistance from IMAP, BAVC, MercerMedia and Dave Jones Design. The symposium organization was led by Sherry Miller Hocking and consultant Mona Jimenez; DB Rohlfs produced transcripts that were edited by Carolyn Tennant and Sherry Miller Hocking.

  25. Adam Chao People

    Adam Chao holds a BS from New York University and an MFA from the School of Visual Arts; he serves as an independent consultant for motion graphics and has been a video systems administrator for a commercial animation studio. He has performed at the Ontario Open Air Teknival and the Festival of Mixology at the Performance Garage; his work employs a focused palette of technicals using available digital resources.